These wonders are still to be seen--for the asking. The _concierge_ of the old hotel is a courteous lady who with her servant dwells in the two most habitable of its remaining rooms. There is no use knocking at the hotel door for she is very, very deaf indeed, poor lady. But if you will brave a stern "No Admittance" sign and ascend the graceful winding stair for a single flight--such a stair as has rarely come to our sight--you will find her--ready and willing. One by one she shows you the rooms, faded and disreputable, for the hotel is in a fearful state of disrepair. The plaster is falling here and there, and where it still adheres to the lath the old-time paper hangs in long shreds, like giant stalactites, from the ceiling. Once, for a decade in the "late eighties," an effort was made to revive the hotel and its former glories--a desperate and a hopeless effort--and the pitiful "innovations" of that régime still show. But when you close your eyes you do not see the St. Louis Hotel of that decade, but rather in those wonderful twenty years before the coming of the cruel war. In those days New Orleans was the gayest city in the new world, uptilting its saucy nose at such heavy eastern towns as New York or Boston. Its wharves were crowded with the ships of the world, the river-boat captains fought for the opportunity of bringing the mere noses of their craft against the overcrowded levee. Cotton--it was the greatest thing of the world. New Orleans was cotton and cotton was the king of the world. No wonder then that the St. Louis Hotel could say when it was new, that it had the finest ballrooms in the world. They still show them to you, in piecemeal, for they were long since cut up into separate rooms. The great rotunda was ruined by a temporary floor at the time the state of Louisiana bought the old hotel for a capitol, and used the rotunda for its fiery Senate sessions. All these things the _concierge_ will relate to you--and more. Then she takes you down the old main-stair, gently lest its rotting treads and risers should crumble under too stout foot-falls. Into the cavernous bottom of the rotunda she leads you. It is encumbered with the steam-pipes of that after era, blocked with rubbish, very dark withal. The _concierge_, with a fine sense of the dramatic, catches up a bit of newspaper, lights it, thrusts it ahead as a lighted torch. "The old slave mart," she says, in a well-trained stage whisper, and thrusts the blazing paper up at full arm's length. As the torch goes higher, her voice goes lower: "Beyond the auction block, the slaves' prison."