The Personality of American CitiesHungerford, Edward
History
The Personality of American Cities
Hungerford, Edward
Cities and towns -- United States; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
All the business girls downtown are not content with sitting after lunch
among the tombstones of St. Paul's churchyard or of Trinity. He was
indeed a canny lunch-man who took note of all the girls strolling in the
narrow streets of downtown Manhattan, who remembered that all New York,
rich or poor, loves to dance and who then fitted up an unrentable third
floor loft over his eating place as a dancing hall. Two violins and a
piano--a gray-bearded sandwich man to patrol the streets with "DANCING"
placarded fore and aft upon his boards--the trick was done. Mamie told
Sadie and Sadie told Elinor and Elinor told Flossie and the lunch-man
began to grow famous. He made further study of the psychology of his
patrons. There were the young fellows--shipping and file clerks and even
ambitious young office-boys to be considered. There were the after-lunch
smokes of these young captains of industry to come into the reckoning.
The lunch-man placed a row of chairs along one edge of his dancing-hall
and over them "Smoking Permitted at This End of the Room." After that
Mamie and Sadie and Elinor and Flossie had partners and the lunch-man
was on the highway to a six-cylinder motor car. He has his imitators. If
you were in business in lower New York and your stenographer began to
hum the "Blue Danube" along about half an hour before noon you would
very well know she was gathering steam for the blissful twenty minutes
of dancing that was going to help her digest her lunch.
* * * * *
You, yourself, are going to lunch in still another sort of restaurant.
It is characteristic of a type that has sprung up on the tip of
Manhattan island within the past dozen years. You reach this
grubbing-place by skirting the front doors of unspeakably dirty
eating-houses in a mean street of the Syrian quarter. Finally you turn
the corner of a dingy brick building, which was once the great house of
one of the contemporaries of the first of the Vanderbilts and which has
managed to escape destruction for three quarters of a century and
face--the only skyscraper in congested New York which stands in a
grass-platted yard--the whim of its wealthy owner. A fast elevator
whisks you thirty stories to the top of the building and you step into
the lobby of what looks, at first glance, to be the entrance hall of
some fine restaurant in uptown's Fifth avenue. But this is a
lunching-club--one of the newest in the town as well as one of the most
elaborate.
Public-domain text, read in full here on John Shaqi.
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