London (England) -- Fiction; Man-woman relationships -- Fiction
“I won’t. Trust me. It’s partly accident that I’ve been nowhere lately,
partly my habit. People used to ask me everywhere, but gave it up when
they found I didn’t go anywhere. There are just a few houses always open
to me, and a few pals come along here whenever they choose. I used to
have jolly little informal suppers on Sundays last winter. We must start
them again. A few men and women——”
“But—” she interrupted, raising her eyebrows and expressing by a motion
of her hands that the women would consider her taboo.
“Oh, not that sort of woman, Marian. Good sorts, who believe that the
world was made for men and women, not men and women for the world. We’ll
send a line round to some of them: ‘Suppers begin again Sunday next.
Come whenever you don’t want to go anywhere else.’ Everything’s put on
the table and we wait on ourselves. Fred—Fred Mortimer—you’ll like
him—is a dandy man with the chafing-dish, and when he comes we indulge
in extravagant luxuries.”
“You’re quite sure about me?”
“Of course I am. Quite sure and quite proud. It’ll be awfully jolly
having a hostess. Hullo! I wonder who this can be—don’t move.”
The door opened and the servant announced Mr. Philip West.
“I beg your pardon——”
Marian rose.
“Mrs. Squire,” said Maddison, “let me introduce Mr. Philip West. Mrs.
Squire is helping me to paint a picture.”
“Helping!” she exclaimed. “I’m the fly on the wheel.”
West examined the picture and Marian critically.
“Have you a name for it?” he asked.
“Yes. ‘The Rebel.’”
“It’s good,” he said slowly, “very good; it’ll be the biggest thing
you’ve done. May I commission it? I’d like to have it”—he looked
straight at Marian as he spoke. “That reminds me why I came here this
morning. If you’ve time and inclination—I know what a particular cuss
you are—I should be glad if you’d paint my wife’s portrait. I should
think she might suit you. You remember her?”
“I am a particular cuss,” Maddison answered, smiling grimly at the
remembrance of various commissions rejected. “Have you said anything to
Mrs. West?”
“No.”
“Then don’t, till I know whether I can paint her or not.”
“Too late, coward, too late. She suggested it herself, and sent me here
to bear her—commands. You and she may settle it as you like. She’s
lunching at the Carlton with me—I wanted you to come, if you’re not
engaged.”
“Engaged, no; but I’m in the mood for work. Are you dining in town?”
“We weren’t, but we will, if you’ll join us. I know there’s no
persuading you to leave your work when you begin to talk about moods.
Settled—dinner then?”
“Yes, when? Where?”
“The Carlton will do. Eight. Good-by. Good-by, Mrs. Squire. I used to
know a parson of that name down in Kennington—an enthusiast——”
“My husband.”
“Really? Lucky man. Good-by.”
Maddison went with him to the front door, and when he returned found
Marian standing before the canvas.
Public-domain text, read in full here on John Shaqi.
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