Indians of North America -- Religion; Indians of North America -- Rites and ceremonies; Peyotism
The relatives gather and invite other Indians to a horrible
ceremony of which the father is the object. They give him to
drink a brew concocted of a root called peyot and which not
only has the property of intoxicating him who drinks it, but
also renders him insensible and drugs the flesh and paralyzes
the whole body. This drink is administered to the patient after
twenty-four hours of fasting. Then he is seated on a staghorn
in a place specially chosen for this. The Indians come with
sharpened bones and teeth of different animals. Then with
different ridiculous ceremonies, they approach the unfortunate
victim one by one; each one makes a wound on him, without pity,
making a great deal of blood flow out; and as those present are
numerous, the wounds are many and the unfortunate person is
so maltreated that, from head to foot, he offers a lamentable
spectacle.... According to how the miserable victim has borne
this, they augur the valor which the son of a father who has
suffered so much will possess.
The stages of peyote intoxication have been noted by natives. Writing
of the Kiowa and Comanche, Mooney[39] maintained that “in the peyote
ceremonies, the songs of those present are more vigorous after
midnight,” and informants frequently indicate their awareness of
this.[40] Kroeber says of this period late in the intoxication that[41]
the physiological discomforts have usually worn off, and the
pleasurable effects are now at their height. It appears that
new songs, inspired perhaps by the visions of the night, are
often composed during this day.
Many well known songs composed by such leaders as Quanah Parker
(Comanche), Enoch Hoag (Caddo) and John Wilson (Caddo-Delaware, called
Nĭshkûntŭ or “Moonhead”) are said to have arisen from the auditory
hallucinations of peyote intoxication. The popular song “Heyowiniho” came
to John Wilson in a synaesthetic auditory hallucination in which he heard
the sound of the sun’s rising. Crashing Thunder[42] said of the beating
of a drum that “the sound almost raised me in the air so pleasurably loud
did it sound to me.” Other kinaesthetic derangements have been reported
in visions.
Public-domain text, read in full here on John Shaqi.
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