E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,
Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team
THE PHANTOM HERD
BY B. M. BOWER
Author of Chip of the Flying-U, The Flying-U's Last Stand,
The Gringos, etc.
1916
FOREWORD
For the accuracy of certain parts of this story which deal most
intimately with the business of making motion pictures, I am indebted to
Buck Connor. whose name is a sufficient guarantee that all technical
points are correct. His criticism, advice and other assistance have been
invaluable, and I take this opportunity of expressing my appreciation and
thanks for the help he has given me.
B.M.BOWER.
CONTENTS
CHAPTER
I THE INDIANS MUST GO
II "WHERE THE CATTLE ROAMED IN THOUSANDS, A-MANY A HERD AND
BRAND..."
III AND THEY SIGH FOR THE DAYS THAT ARE GONE
IV THE LITTLE DOCTOR PROTESTS
V A BUNCH OF ONE-REELERS FROM BENTLY BROWN
VI VILLAINS ALL AND PROUD OF IT
VII BENTLY BROWN DOES NOT APPRECIATE COMEDY
VIII "THERE'S GOT TO BE A LINE DRAWN SOMEWHERES"
IX LEAVE IT TO THE BUNCH
X UNEXPECTED GUESTS FOR APPLEHEAD
XI JUST A FEW UNFORESEEN OBSTACLES
XII "I THINK YOU NEED INDIAN GIRL FOR PICTURE"
XIII "PAM. BLEAK MESA--CATTLE DRIFTING BEFORE WIND--"
XIV "PLUMB SPOILED, D'YUH MEAN?"
XV A LETTER FROM CHIEF BIG TURKEY
XVI "THE CHANCES IS SLIM AND GITTIN' SLIMMER"
XVII THE STORM
XVIII A FEW OF THE MINOR DIFFICULTIES
XIX WHEREIN LUCK MAKES A SPEECH
XX "SHE'S SHAPING UP LIKE A BANK ROLL"
CHAPTER ONE
THE INDIANS MUST GO
Luck Lindsay had convoyed his thirty-five actor-Indians to their
reservation at Pine Ridge, and had turned them over to the agent in good
condition and a fine humor and nice new hair hatbands and other fixings;
while their pockets were heavy with dollars that you may be sure would
not he spent very wisely. He had shaken hands with the braves, and had
promised to let them know when there was another job in sight, and to
speak a good word for them to other motion-picture companies who might
want to hire real Indians. He had smiled at the fat old squaws who had
waddled docilely in and out of the scenes and teetered tirelessly round
and round in their queer native dances in the hot sun at his behest, when
Luck wanted several rehearsals of "atmosphere" scenes before turning the
camera on them.
Public-domain text, read in full here on John Shaqi.
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