"Well, the market demands that sort of thing," he declared, arguing
against that curved palm and the telltale wrinkles around Luck's eyes.
"It's all tommyrot, of course. I don't say it's good; I say it's the
stuff that goes. We're here to make what the public will pay to look
at." Martinson, besides keeping his finger on the public pulse and
attending to the marketing of the Acme wares and watching that expenses
did not run too high, found a little time in which to be human. "I know,
Luck," the human side of him observed sympathetically; "it's just
made-to-order melodrama, but business is simply rotten, old man. We've
just got to release films the market calls for. There's no
art-for-art's-sake in the movie business, and you know it. Now,
personally, I like that scenario of yours--"
"Forget it!" said Luck crisply, warning him off the subject. To make the
warning keener-edged, he lifted the typed sheets over which he had worked
so late the night before, glanced at the top one, gave a snort, and tore
them twice down the length of them with vicious twists of his fingers. He
did not mean to be spectacular; he simply felt that way at that
particular moment, and he indulged the impulse to destroy something. He
dropped the fragments into Martinson's waste basket, picked up the bundle
of scripts and his hat, and went out with his mouth pulled down at the
corners and with his neck pretty stiff.
He went swinging across the studio yard and on past the great stage where
the carpenters halted their work while they greeted him, and looked after
him and spoke of him when he had passed. Early idlers--extras with high
hopes and empty pockets--sent him wistful glances which he did not see at
all; though he did see Andy Green and his wife (who had been Rosemary
Allen). These two stood hesitating just within the half-open, high board
gate fifty yards away. Luck waved his hand and swerved toward them.
"Howdy! Where's the rest of the bunch?" he called out as they hurried up
to him. Whereupon the group of extras were sharp bitten by the envy of
these two strangers, spoken to so familiarly by Luck Lindsay.
"Do you know, I feel sure the boys are being held in the lost-child place
at the police station!" Rosemary Green, twinkled her brown eyes at him
from between strands of crinkly brown hair. "I had tags all fixed, with
name, age, owner's address and all that, and I was going to hang them
around the boys' necks with pale blue ribbon--pale blue would be so
becoming! But do you know, I couldn't find them! I feel worried. I should
hate to waste thirty-nine cents worth of pale blue ribbon. I can't wear
it myself; it makes me look positively swarthy." Rosemary Green had a
most captivating way of saying swarthy.
The corners of Luck's mouth came up instantly. "We'll have to send out
scouting parties. I need that bunch of desperadoes. Let's look over by
the corrals. I've got to go over and see what kind of a street set
they're knocking together, anyway.
Public-domain text, read in full here on John Shaqi.
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