The Phantom 'Rickshaw, and Other Ghost Stories — John Shaqi
The Phantom 'Rickshaw, and Other Ghost StoriesKipling, Rudyard
General
The Phantom 'Rickshaw, and Other Ghost Stories
Kipling, Rudyard
Ghost stories, English
Gunga Dass, (I have, of course, no hesitation in mentioning the man’s
real name) I had known four years before as a Deccanee Brahmin loaned by
the Punjab Government to one of the Khalsia States. He was in charge
of a branch telegraph-office there, and when I had last met him was
a jovial, full-stomached, portly Government servant with a marvelous
capacity for making bad puns in English--a peculiarity which made
me remember him long after I had forgotten his services to me in his
official capacity. It is seldom that a Hindu makes English puns.
Now, however, the man was changed beyond all recognition. Caste-mark,
stomach, slate-colored continuations, and unctuous speech were all gone.
I looked at a withered skeleton, turban-less and almost naked, with long
matted hair and deep-set codfish-eyes. But for a crescent-shaped scar on
the left cheek--the result of an accident for which I was responsible I
should never have known him. But it was indubitably Gunga Dass, and--for
this I was thankfull--an English-speaking native who might at least tell
me the meaning of all that I had gone through that day.
The crowd retreated to some distance as I turned toward the miserable
figure, and ordered him to show me some method of escaping from the
crater. He held a freshly plucked crow in his hand, and in reply to my
question climbed slowly on a platform of sand which ran in front of
the holes, and commenced lighting a fire there in silence. Dried bents,
sand-poppies, and driftwood burn quickly; and I derived much consolation
from the fact that he lit them with an ordinary sulphur-match. When they
were in a bright glow, and the crow was nearly spitted in front thereof,
Gunga Dass began without a word of preamble:
“There are only two kinds of men, Sar. The alive and the dead. When you
are dead you are dead, but when you are alive you live.” (Here the crow
demanded his attention for an instant as it twirled before the fire in
danger of being burned to a cinder.) “If you die at home and do not die
when you come to the ghât to be burned you come here.”
The nature of the reeking village was made plain now, and all that I had
known or read of the grotesque and the horrible paled before the fact
just communicated by the ex-Brahmin. Sixteen years ago, when I first
landed in Bombay, I had been told by a wandering Armenian of the
existence, somewhere in India, of a place to which such Hindus as had
the misfortune to recover from trance or catalepsy were conveyed and
kept, and I recollect laughing heartily at what I was then pleased to
consider a traveler’s tale.
Sitting at the bottom of the sand-trap, the memory of Watson’s Hotel,
with its swinging punkahs, white-robed attendants, and the sallow-faced
Armenian, rose up in my mind as vividly as a photograph, and I burst
into a loud fit of laughter. The contrast was too absurd!
Public-domain text, read in full here on John Shaqi.
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