THE PHANTOM SHIP
by
CAPTAIN FREDERICK MARRYAT
LONDON
MDCCCXCVI
Contents
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER XXXI
CHAPTER XXXII
CHAPTER XXXIII
CHAPTER XXXIV
CHAPTER XXXV
CHAPTER XXXVI
CHAPTER XXXVII
CHAPTER XXXVIII
CHAPTER XXXIX
CHAPTER XL
CHAPTER XLI
CHAPTER XLII
Prefatory Note
_THE PHANTOM SHIP_ is the most notable of the three novels constructed
by Marryat on an historic basis, and like its predecessor in the
same category, _Snarleyyow_, depends largely for its interest on the
element of _diablerie_, which is very skilfully manipulated. Here,
however, the supernatural appearances are never explained away, and
the ghostly agencies are introduced in the spirit of serious, if
somewhat melodramatic, romance. Marryat's personal experience enabled
him, with little research, to produce a life-like picture of old Dutch
seamanship, and his powers in racy narrative have transformed the
Vanderdecken legend into a stirring tale of terror. The plot cannot
be called original, but it is more carefully worked out and, from the
nature of the material at hand, more effective than most of Marryat's
own. He has put life into it, moreover, by the creation of some
genuine characters, designed for nobler ends than to move the
machinery.
Amine, indeed, as Mr Hannay points out, "is by far his nearest
approach to an acceptable heroine." Her romantic and curiously
superstitious disposition is admirably restrained by strength of will
and true courage. The scenes of the Inquisition by which she meets
her death are forcibly described. Philip Vanderdecken is a very
respectable hero; daring, impetuous, and moody, without being too
improbably capable. The hand of destiny lends him a dignity of which
he is by no means unworthy. Krantz, the faithful friend, belongs to a
familiar type, but the one-eyed pilot is quite sufficiently weird
for the part he has to play. For the rest we have the usual exciting
adventures by sea and land; the usual "humours," in this case
certainly not overdone. The miser Dr Poots; the bulky Kloots, his
bear, and his supercargo; Barentz and his crazy lady-love the _Vrow
Katerina_; and the little Portuguese Commandant provide the reader
with a variety of good-natured entertainment. It was an act of
doubtful wisdom, perhaps, to introduce a second group of spirits from
the Hartz mountains, but the story of the weir-wolves is told simply,
without any straining after effect.
Public-domain text, read in full here on John Shaqi.
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