The phantoms of the foot-bridge: 1895Craddock, Charles Egbert
General
The phantoms of the foot-bridge: 1895
Craddock, Charles Egbert
Fiction
Outside the sad light waned; the wind sighed and sighed; the dreary
rain fell; the trees clashed their boughs dolorously together, and their
turbulence deadened the sound of galloping horses. As Dundas sat and
gazed at the girl’s intent head, with its fleecy tendrils and its
massive coil, the great hounds beside her, all emblazoned by the
firelight upon the brown wall near by, with the vast fireplace at hand,
the whole less like reality than some artist’s pictured fancy, he knew
naught of a sudden entrance, until she moved, breaking the spell, and
looked up to meet the displeasure in Roxby’s eyes and the dark scowl on
Emory Keenan’s face.
*****
That night the wind shifted to the north. Morning found the chilled
world still, ice where the water had lodged, all the trees incased in
glittering garb that followed the symmetry alike of every bough and
the tiniest twig, and made splendid the splintered remnants of the
lightning-riven. The fields were laced across from furrow to furrow, in
which the frozen water still stood gleaming, with white arabesques which
had known a more humble identity as stubble and crab-grass; the sky was
slate-colored, and from its sad tint this white splendor gained added
values of contrast. When the sun should shine abroad much of the effect
would be lost in the too dazzling glister; but the sun did not shine.
All day the gray mood held unchanged. Night was imperceptibly sifting
down upon all this whiteness, that seemed as if it would not be
obscured, as if it held within itself some property of luminosity, when
Millicent, a white apron tied over her golden head, improvising a hood,
its superfluous fulness gathered in many folds and pleats around her
neck, fichu-wise, stood beside the ice-draped fodder-stack and essayed
with half-numbed hands to insert a tallow dip into the socket of a
lantern, all incrusted and clumsy with previous drippings.
“I dun’no’ whether I be a-goin’ ter need this hyar consarn whilst
milkin’ or no,” she observed, half to herself, half to Emory, who,
chewing a straw, somewhat surlily had followed her out for a word apart.
“The dusk ‘pears slow ter-night, but Spot’s mighty late comin’ home, an’
old Sue air fractious an’ contrairy-minded, and feels mighty anxious
an’ oneasy ‘boutn her calf, that’s ez tall ez she is nowadays, an’ don’t
keer no mo’ ‘bout her mammy ‘n a half-grown human does. I tell her she
oughtn’t ter be mad with me, but with the way she brung up her chile, ez
won’t notice her now.”
She looked up with a laugh, her eyes and teeth gleaming; her golden hair
still showed its color beneath the spotless whiteness of her voluminous
headgear, and the clear tints of her complexion seemed all the more
delicate and fresh in the snowy pallor of the surroundings and the
grayness of the evening.
“I reckon I’d better take it along,” and once more she addressed herself
to the effort to insert the dip into the lantern.
Public-domain text, read in full here on John Shaqi.
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