The phantoms of the foot-bridge: 1895Craddock, Charles Egbert
General
The phantoms of the foot-bridge: 1895
Craddock, Charles Egbert
Fiction
“He _‘lows_ he did,” responded Roxby, equivocally. “But when Mill’cent
fust got so she could tell it, ‘peared ter me ez Em’ry Keen an fund it
ez much news ez the rest o’ we-uns. Mill’cent jes’ drapped stone-dead,
accordin’ ter all accounts, an’ he an’ the t’other young folks flung
water in her face till she kem out’n her faint; an’ jes’ then they hearn
the wagin a-rattlin’ along the road, an’ they stopped it an’ fetched her
home in it. She never told the tale till she war home, an’ it skeered
me an’ my mother powerful, fur Mill’cent is all the kin we hev got.
Mill’cent is gran’daddy an’ gran’mam-my, sons an’ daughters, uncles an’
aunts, cousins, nieces, an’ nephews, all in one. The only thing I ain’t
pervided with is a nephew-in-law, an’ I don’t need him. Leastwise I
ain’t lookin’ fur Em’ry Keenan jes’ at present.”
The pace was brisker when the two horses, bending their strength
sturdily to the task, had pressed up the massive slope from the deep
cleft of the gorge. As the road curved about the outer verge of the
mountain, the valley far beneath came into view, with intersecting
valleys and transverse ranges, dense with the growths of primeval
wildernesses, and rugged with the tilted strata of great upheavals, and
with chasms cut in the solid rock by centuries of erosion, traces
of some remote cataclysmal period, registering thus its throes and
turmoils. The blue sky, seen beyond a gaunt profile of one of the
farther summits that defined its craggy serrated edge against the
ultimate distances of the western heavens, seemed of a singularly suave
tint, incongruous with the savagery of the scene, which clouds and
portents of storm might better have befitted. The little graveyard,
which John Dundas discerned with recognizing eyes, albeit they had never
before rested upon it, was revealed suddenly, lying high on the opposite
side of the gorge. No frost glimmered now on the lowly mounds; the
flickering autumnal sunshine loitered unafraid among them, according
to its languid wont for many a year. Shadows of the gray un-painted
head-boards lay on the withered grass, brown and crisp, with never
a cicada left to break the deathlike silence. A tuft of red leaves,
vagrant in the wind, had been caught on one of the primitive monuments,
and swayed there with a decorative effect. The enclosure seemed, to
unaccustomed eyes, of small compass, and few the denizens who had found
shelter here and a resting-place, but it numbered all the dead of the
country-side for many a mile and many a year, and somehow the loneliness
was assuaged to a degree by the reflection that they had known each
other in life, unlike the great herds of cities, and that it was a
common fate which the neighbors, huddled together, encountered in
company.
Public-domain text, read in full here on John Shaqi.
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