Man-woman relationships -- Drama; Marriage -- Drama; Paramours -- Drama
CHARTERIS (unfolding his arms and again recoiling). No, please. Don't.
As a philosopher, it's my business to tell other people the truth; but
it's not their business to tell it to me. I don't like it: it hurts.
GRACE (quietly). It's only that I love you.
CHARTERIS. Ah! that's not a philosophic truth. You may tell me that as
often as you like. (He takes her in his arms.)
GRACE. Yes, Leonard; but I'm an advanced woman. (He checks himself
and looks at her in some consternation.) I'm what my father calls a
New Woman. (He lets her go and stares at her.) I quite agree with all
your ideas.
CHARTERIS (scandalized). That's a nice thing for a respectable woman
to say! You ought to be ashamed of yourself.
GRACE. I am quite in earnest about them too, though you are not; and I
will never marry a man I love too much. It would give him a terrible
advantage over me: I should be utterly in his power. That's what the
New Woman is like. Isn't she right, Mr. Philosopher?
CHARTERIS. The struggle between the Philosopher and the Man is
fearful, Grace. But the Philosopher says you are right.
GRACE. I know I am right. And so we must part.
CHARTERIS. Not at all. You must marry some one else; and then I'll
come and philander with you. (Sylvia comes back.)
SYLVIA (holding the door open). Oh, I say: come along. I'm starving.
CHARTERIS. So am I. I'll lunch with you if I may.
SYLVIA. I thought you would. I've ordered soup for three. (Grace
passes out. Sylvia continues, to Charteris) You can watch Paramore
from our table: he's pretending to read the British Medical Journal;
but he must be making up his mind for the plunge: he looks green with
nervousness.
CHARTERIS. Good luck to him. (He goes out, followed by Sylvia.)
END OF ACT II.
ACT III
Still the library. Ten minutes later. Julia, angry and
miserable, comes in from the dining room, followed by
Craven. She crosses the room tormentedly, and throws
herself into a chair.
CRAVEN (impatiently). What is the matter? Has everyone gone mad
to-day? What do you mean by suddenly getting up from the table and
tearing away like that? What does Paramore mean by reading his paper
and not answering when he's spoken to? (Julia writhes impatiently.)
Come, come (tenderly): won't my pet tell her own father
what--(irritably) what the devil is wrong with everybody? Do pull
yourself straight, Julia, before Cuthbertson comes. He's only
paying the bill: he'll be here in a moment.
JULIA. I couldn't bear it any longer. Oh, to see them sitting there at
lunch together, laughing, chatting, making game of me! I should have
screamed out in another moment--I should have taken a knife and killed
her--I should have--(Cuthbertson appears with the luncheon bill in his
hand. He stuffs it into his waistcoat pocket as he comes to them. He
begins speaking the moment he enters.)
CUTHBERTSON. I'm afraid you've had a very poor lunch, Dan. It's
disheartening to see you picking at a few beans and drinking soda
water. I wonder how you live!
Public-domain text, read in full here on John Shaqi.
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