Instead, he pursued his acquaintance with _A Man of Influence_, realising now that he must take him seriously and regard him stamped with Mallinson's approval, a dominating being. He found the task difficult. The character insisted upon reminding him of the nursery-maid's ideal, the dandified breaker of hearts and bender of wills; an analytical hero too, who traced the sentence through the thought to the emotion, which originally prompted it; whence his success and influence. But for his strength, plainly aimed at by the author, and to be conceded by the reader, if the book was to convince? Drake compared him to scree and shingle as against solid granite. Lean on him and you slip! The plot was the time-worn, imperishable story of the married couple and the amorous interloper, the Influential Man, of course, figuring as the latter, and consequently glorified. The husband was pelted with ridicule from the first chapter to the last, though for what particular fault Drake could not discover, unless it were for that of being a husband at all; so that the interloper in robbing him of his wife was related to have secured not merely the _succès d'estime_ which accompanies such enviable feats, but the unqualified gratitude of all married women and most unmarried men. There were, no doubt, redeeming qualities; Drake gave them full credit, and perhaps more than they deserved. He noticed a glitter in the dialogue, whether of foil or gold he refused to consider, and a lively imagination in the interweaving of the incidents. But altogether the book left with him a feeling of distaste, which was not allayed by the perception that he himself was caricatured in the picture of befooled husband, while Mallinson figured as the successful deceiver. After all, he thought, Mallinson and he were friends, and he disliked the mere imagining of such a relationship between them. Drake summed up his impressions as his hansom turned into the Bayswater Road. The day was just beginning to break; the stems of the trees bordering the park were black bars against the pure, colourless light, and their mingling foliage a frayed black ribbon stretched across the sky. One might have conceived the picture the original of a black and white drawing by a pre-Raphaelite artist. Drake drew in a long breath of the keen, clear air. 'I am glad I asked him to bring Conway,' he said to himself. CHAPTER II