The Philippine Islands, 1493-1898 - Volume 40 of 55, 1690-1691: Explorations by Early Navigators, Descriptions of the Islands and Their Peoples, Their History and Records of the Catholic Missions, as Related in Contemporaneous Books and Manuscripts, Showing the Political, Economic, Commercial and Religious Conditions of Those Islands from Their Earliest Relations with European Nations to the Close of the Nineteenth Century
History
The Philippine Islands, 1493-1898 - Volume 40 of 55, 1690-1691: Explorations by Early Navigators, Descriptions of the Islands and Their Peoples, Their History and Records of the Catholic Missions, as Related in Contemporaneous Books and Manuscripts, Showing the Political, Economic, Commercial and Religious Conditions of Those Islands from Their Earliest Relations with European Nations to the Close of the Nineteenth Century
Demarcation line of Alexander VI; Missions -- Philippines; Philippines -- Discovery and exploration; Philippines -- History -- Sources
The celebration at their marriages is such that in all that has been
discovered nothing else can compare with it; and the Spaniards who
daily wonder at it as witnesses always do so with new wonder. For if
the marriage is of a chief, the celebration begins a week beforehand,
and is concluded a week after with dancing to the sound of their bells
and drums. There is open table for all who care to go up into the
house. The viands consist of wine, for that is the thing in which they
are especially solicitous to show display, while they take no account
of the food, although it is not lacking. But the deceiving heat of
the wine takes away their taste so strongly that they are mindful of
nothing. Its heat serves to give spirit and animation to their songs
(which are in honor of him who makes the feast), and sprightliness
to their dances. The day of the celebration [of the wedding] when
the betrothed couple have to appear for the nuptial blessings, the
bride, breaking the strict confinement which she keeps all that time,
issues forth with a display and gravity superior to her condition;
for her relatives and the other Indians of their partisanship are clad
in their gala costume, and armed with lance and shield, and escort the
bride. The march is to the accompaniment of bells and Moorish dulzainas
[i.e., a sort of wind instrument]. The ladies of honor follow in double
file, and they generally consist of all the women of the village,
who are invited for the sake of greater display of grandeur. Then
the girls follow in the same order, while those of greater social
standing and higher rank are borne in chairs richly adorned, and
carried on the shoulders of four slaves. At the end comes the bride
in a certain very spacious chair which allows room for a lady who
supports and assists her, and to two or three girls, who serve her
with so singular modesty and gravity that it would cause wonder even
if she did not affect so great elaborateness; for she scarcely moves
an eyelash or must move her hand, those who accompany her substituting
themselves for everything. One dries the sweat from her, another fans
her, and a third looks after her clothing. Down a different street
comes the bridegroom to meet the bride, with a like or even greater
retinue in competition with that of the relatives of the bride. The
men are in gala costume, and armed; the women are in festal array;
and the chief women in chairs. The dress of the bridal pair must be
white, until, the [bride's] consent having been given, the bridegroom
retires, and exchanges it for a red dress. In this ceremony coquetry
displays greater affectations: for the bride takes a half-hour to give
her answer, and, after it is given she wastes another long half-hour
to reach the lattice of the chapel. And it is necessary to sit down
to await the bride for that time, amid the laughter of those who a
few days before saw her running and leaping about like a mad she-goat,
Public-domain text, read in full here on John Shaqi.
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