The Philistine : $b a periodical of protest (Vol. I, No. 2, July 1895)Various
General
The Philistine : $b a periodical of protest (Vol. I, No. 2, July 1895)
Various
American literature -- Periodicals; American periodicals; Society of the Philistines (East Aurora, N.Y.) -- Periodicals
Rossetti and the Pre-Raphaelites were of that kind. Walt Whitman lacked
the princely qualities, the blue blood of prestige that would work the
magic charm, but he was valiant for all that. And there have been others
who have not lacked in bravery.
Now, it is just that hardihood that Nordau derides. Let him creak and
carp, let others erect their idols and worship thereat. Even fetiches
have their use. The world wags on, however, and the line is forming anew.
We will be happy yet.
It is a Gargantuan task to get at the heart of this multiple age. He will
be a Titan who does it.
Form antedates concept. Thus far have we journeyed on this way of
ours—the leaven of concept and of form both have broken out in patches
here and there. Let someone arise who can master both.
Then—
E. R. W.
THE LAUGHTER OF THE GODS.
The laughter of the Gods is clear
And sweet to those who do not know
How, underneath its limpid flow,
Lurk envy, hatred, hope and fear.
ROWLAND B. MAHANY.
FASHION IN LETTERS AND THINGS.
Periodicity exists throughout all nature. Day and night, winter and
summer, equinox and solstice; years of plenty and years of famine,
commerce active and business depressed; volcanoes in state of eruption,
then at rest; comets return, eclipses come back, the striae of one
glacial period are deepened by those of another, and the leg o’ mutton
sleeves that our grandmammas wore in the thirties are again upon us.
When the hounds start game in the mountains, the hunter knowing that the
deer moves in a circle, stands still on the run-way, biding his time. So
no one need wail and strike his breast if his raiment is out of style:
all such should be consoled by the fact that the fashion is surely coming
back.
Mode in dress is only an outcrop of a general law. Why does fashion
change? Because it is the fashion. The followers of fashion—that is
to say, civilized men and women—are not content with being all alike.
Esquimaux and Hottentots never vary their styles. But people in the
temperate zones are intemperate and desire to excel—to be different from
others—distinctive, peculiar, individual. Very seldom is any one strong
enough to stand alone, so in certain social circles, by common consent,
all overcoats are cut one length—say, to come just above the knee. Then
this overcoat is gradually lowered: to the knee, just below the knee, to
the ankle—until it conceals the feet. Then an enormous collar is added,
which when turned up and viewed from behind completely hides the man.
But this thing cannot last; it is not many days before the same men are
wearing overcoats so short that the wearers look like matadors ready for
the fray.
Public-domain text, read in full here on John Shaqi.
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