"'It's use in Time is to environ us.'"
"Heavens!" whispered Fenton to Mrs. Staggchase; "fancy that incarnate
respectability environed by 'blessed evil!'"
"For my part," she returned, in the same tone, "I feel as if I were
visiting a lunatic asylum." "Yes, that line does make it beautifully
clear," observed the voice of Miss Catherine Penwick; "and I think
that's so beautiful about the exposed brain, and lidless eyes, and
disemprisoned heart. The image is so exquisite when he speaks of their
withering up at once."
Fenton made a droll grimace for the benefit of his neighbor, and then
observed with great apparent seriousness,--
"The poem is most remarkable for the intimate knowledge it shows of
human nature. Take a line like:"
'Men have outgrown the shame of being fools;'
"We can see such striking instances of its truth all about us."
"How can you?" exclaimed Elsie Dimmont, under her breath.
Fenton had not been able wholly to keep out of his tone the mockery
which he intended, and several people looked at him askance.
Fortunately for him, a nice old gentleman who, being rather hard of
hearing, had not caught what was said, now broke in with the inevitable
question, which, sooner or later, was sure to come into every
discussion of the club:
"Isn't this poem to be most satisfactorily understood when it is
regarded as an allegory?"
The members, however, did not take kindly to this suggestion in the
present instance. The question passed unnoticed, while a severe-faced
woman inquired, with an air of vast superiority,--
"I have understood that Bishop Blougram is intended as a portrait of
Cardinal Wiseman; can any one tell me if Gigadibs is also a portrait?"
"Oh, Lord!" muttered Fenton, half audibly. "I can't stand any more of
this."
And at that moment a servant came to tell him that his carriage was
waiting.
IV
NOW HE IS FOR THE NUMBERS.
Romeo and Juliet; ii.----4.
When Mr. and Mrs. Fenton were in the carriage, driving from Mrs. Gore's
to Mrs. Frostwinch's, Arthur broke into a pleasant little laugh, as if
a sudden thought had amused him.
"Why in the world, Edith," he asked, "couldn't you let that moon-calf
Candish fight his own battle to-night? He would have tied himself all
up in two moments, with a little judicious help I should have been glad
to give him."
"I knew it," was her answer, "and that is precisely why I wanted to
stop things. What possible amusement it can be to you to get the better
of a man who is so little a match for you in argument, I don't
understand."
"I never begin," Fenton responded. "Of course if he starts it I have to
defend myself."
Public-domain text, read in full here on John Shaqi.
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