With all the instinctive generosity of his soul, however, Herman strove to believe that the _Fatima_ had been painted, as Fenton said, from old studies, and that his wife had not been guilty of the painful indecorum of posing. He compelled himself to answer the artist calmly, although he could not make his manner cordial. And as he spoke, his eye, searching the picture for confirmation of his hope or of his fear, recognized among the draperies a Turkish shawl he had himself given his wife after their marriage. He made his way out of the gallery and out of the club house. He felt that he must get away from the innumerable eyes by which he was surrounded. He started toward home, but before he had gone a block, he stopped, hesitated a moment, and struck off into a side street. He was not ready to go home. He had said to himself too often, reiterating it in his mind constantly for six years, that in dealing with his wife his must be the wisdom, the patience, and the forbearance of both. He remembered a night long ago, when he had gone to Ninitta's room, in a mood of contrition, to renew the troth of his youth, and had fallen instead into a fit of bitter anger. With no evident reason, came back to him to-night the beautiful weeping figure of the Italian as she had cast herself at his feet and implored his forgiveness. He would not go to her now until he was calmer, and until he had considered carefully all the points of the situation. In that whirl which comes in desperate circumstances before the startled and bewildered thoughts can be reduced to order, Herman wandered on, not thinking where he was going, until he found himself leaning against a railing and looking over the waters of the Charles River. It was a beautiful starlight night with a wavering wind that came in uncertain gusts only to die away again. The water was like a flood of ink, across which streamed thin tremulous lines of brightness, and over which were strewn the flickering reflections of the stars. The gas jets of the city across the flood, the rows of lamps which marked the bridges, the distant horse cars which rumbled between Cambridge and Boston with their colored lights, the green and red lanterns that glowed from the railroad tracks farther down the river, all suggested the busy life of men with its passions, its greed, and its heartlessness; but the darkness held all remote, as if the world of men were a dream. And overhead the immovable stars, like the unpitying gods, hung above the city and were reflected in the water, and wounded the soul of the lonely man with the terrible sense of power inimitably removed, of passionless strength which served to humanity but as a measure of its own weakness and triviality. The misfortunes of life might be endured; its disappointments, its anguish, even its inviolable loneliness might be supported, but a sense of the awful futility of existence crushes man to the depths of impotent despair.