The thought of Rome recalled instantly the old days there, almost a
score of years ago, when he had first known Ninitta. So vivid were the
memories which awakened, that he seemed to see again the Roman studio,
the fat old aunt, voluble and sharp eyed, who always accompanied her
niece when the girl posed; and most clearly of all did his inner vision
perceive the fresh, silent maiden whose exquisite figure was at once
the admiration and the despair of all the young artists in Rome. He
remembered how Hoffmeir had discovered the girl drawing water from an
old broken fountain he had gone out to sketch; and the difficulties
that had to be overcome before she could be persuaded to pose. The
Capri maidens are brought up to be averse to posing, and Ninitta had
not long enough breathed the air of Rome to have overcome the
prejudices of her youth. He reflected, with a bitterness rendered vague
by a certain strange impersonality of his mood, how different would
have been his life had Hoffmeir been unable to overcome the girl's
scruples. He wondered whether the fat old aunt, and the greasy,
good-natured little priest with whom she had taken counsel, would have
urged Ninitta to take up the life of a model, could they have foreseen
all the results to which this course was to lead in the end.
Then, with a sudden stinging consciousness, the thought came of all
that her decision had meant to his life. The old question whether he
had done right in marrying Ninitta forced itself upon him as if it were
some enemy springing up from ambush. He raised his eyes, and his glance
met that of Mrs. Greyson.
"It is no use, Helen," he broke out, impulsively, "we must talk
frankly. It is idle to suppose that we can go on in an artificial
pretence that we have nothing to say."
She put up her hand appealingly.
"Only do not drive me away again," she pleaded. "Don't say things that
I have no right to hear!"
A dark red stained Herman's cheek, and the tears came into his eyes.
"No," he returned. "If any one is to be driven away it shall not be
you."
"But why need we trouble the things that are past," she went on, with
wistful eagerness. "Why cannot we accept it all in silence, and be
friends."
He looked at her with a passionate, penetrating glance. She felt a wild
and foolish longing to fling herself upon the floor and embrace his
feet; but the old Puritan training, the resistant fibre inherited from
sturdy ancestors, still did not fail her.
"You have your wife," she hurried on, "your home, your boy. That is
enough. That"--
"That is not enough," he interrupted, with an emphasis, which seemed
stern. "Helen, I shall not talk love to you. I am another woman's
husband. I made a ghastly mistake when I married Ninitta, but it is
done. She loves me; she is happy, and I love"--his voice faltered into
a wonderful softness more eloquent than words,--"I love Nino."
Public-domain text, read in full here on John Shaqi.
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