"She thought she'd outgrown Puritanism," he returned, "but really she was, in her way, as much of a Puritan as you are. The country is full of people who don't understand that the essence of Puritanism is a slavish adherence to what they call principle, and who think because they have got rid of a certain set of dogmas they are free from their theologic heritage. There never was greater rubbish than such an idea." Mrs. Fenton was silent. She had long ago learned the futility of attempting any argument in ethics with Arthur, and she received in silence whatever flings at her beliefs he chose to indulge in. She had even come hardly to heed words which in the early days of her married life would have wounded her to the quick. She had readjusted her conception of her husband's character, and if she still cherished illusions in regard to him, she no longer believed in the possibility of changing his opinions by opposing them. Her thoughts were now, moreover, occupied with the personal problem which would in any case have appealed more strongly to the feminine mind than abstract theories, and she was considering what he had told her of Mrs. Greyson and Grant Herman, a sculptor for whom she had a warm admiration, and a no less strong liking. However we busy ourselves with high aims, with learning, or art, or wisdom, or ethics, personal human interests appeal to us more strongly than anything else. Human emotions respond instinctively and quickly to any hint of the emotional life of others. Nothing more strikingly shows the essential unity of the race than the readiness with which all minds lay aside all concerns and ideas which they are accustomed to consider higher, to give attention to the trifling details of the intimate history of their fellows. Quite unconsciously, Edith had gathered up many facts, insignificant in themselves, concerning the relations of Mrs. Greyson and Herman, and she now found herself suddenly called upon to reconsider whatever conclusions they had led her to in the light of this new development. The sculptor's marriage with an ex-model had always been a mystery to her, and she now endeavored to decide in her mind whether it were possible that her husband could be right in putting the responsibility upon Helen Greyson. The form of his remark seemed to her to hint that the Italian's claim upon Herman had been of so grave a nature as to imply serious complications in their former relations; but she strenuously rejected any suspicion of evil in the sculptor's conduct. "I am sure, Arthur," she said, hesitatingly, "there can have been nothing wrong between Mr. Herman and Ninitta. I have too much faith in him."