Let us study the effect of this new state of things on minds and
characters. The kings _salon_ is the first in the country, and is
frequented by the most select society; the most admired personage,
therefore, the accomplished man whom everybody accepts for a model, is
the nobleman enjoying familiarity with his sovereign. This nobleman
entertains generous sentiments; he believes himself of a superior
race, and he says to himself, _noblesse oblige._ He is more sensitive
than other men on the point of honor, and freely risks his life at the
slightest insult. Under Louis XIII. four thousand noblemen were killed
in duels. Contempt of danger, in the eyes of this nobleman, is the
first obligation of a soul nobly born. The dandy, the worldling, so
choice of his ribbons, so careful of his perruque, is ready to encamp
in Flanders mud, and expose himself to bullets for hours together at
Neerwinden. When Luxembourg announces that he is about to give battle,
Versailles is deserted; all these young perfumed gallants hasten off
to the army as if they were going to a ball. Finally, and through a
remnant of the spirit of ancient feudalism, our nobleman regards the
monarch as his natural legitimate chief: he knows he is bound to him,
as the vassal formerly was to his suzerain, and at need will give
him his blood, his property, and his life. Under Louis XYI. noblemen
voluntarily placed themselves at the king's disposal, and on the 10th
of August many were slain in his behalf.
But they are nevertheless courtiers, that is to say, men of the world,
and in this respect perfectly polite. The King himself sets them an
example. Louis XIV. even doffed his hat to a chambermaid, and the
Memoirs of St. Simon mention a duke who saluted so frequently that he
was obliged to cross the courts of Versailles bareheaded. The courtier,
for the same reason, is accomplished in all that appertains to good
breed-ins; language never fails him in difficult circumstances; he
is a diplomat, master of himself, an adept in the art of disguising,
concealing, flattering and managing others, never giving offence, and
often pleasing. All these qualifications and these sentiments proceed
from an aristocratic spirit refined by the usages of society; they
attain to perfection in this court and in this century. Anybody of
the present time disposed to admire the choice flowers of this lost
and delicate species need not look for them in our equalized, rude
and mixed society, but must turn to the elegant, formal, monumental
parterres in which they formerly flourished.
Public-domain text, read in full here on John Shaqi.
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