Shall we then say that, being sentimental and rational at once, this
morality is not definite in character? Is it merely an eclectic attempt
at conciliation?--Eclecticism in a certain sense would not frighten
Comte. Positive philosophy flatters itself on being just in regard
to its predecessors. It takes pleasure in praising each of them for
the portion of truth which it contains. But, in the present case
there is no occasion for it to be eclectic. It suffices for it to be
relative, and, since it is a question of moral and social things, to
appeal to history. Thus we see that the sentimental and the rational
principles in no way exclude each other. From the historical point
of view, that is to say, if we consider the genesis of morality, the
latter finds birth in the sympathetic _feelings_ which man, like many
other animals, experiences, and which are spontaneously developed in
domestic affection and in social life. How is it that subsequently this
morality evolves, that friendly relations grow indefinitely in relative
importance, in spite of the inborn strength of selfishness, that
humanity, in a word, should gradually rise above animality? Without
any doubt, that is due to the development of _intelligence_, itself
bound up with the efforts which man is obliged to make to adapt himself
to the “_milieu_” in which he lives.
Instinctive in its animal origin, morality becomes rational in its
human evolution. We can say as much of language, of art, of science,
and even of religion. All this was in embryo in the primitive nature
of man, since nothing absolutely new ever appears in it. All this
only manifested itself under pressure from external order, which,
consciously or unconsciously, is always being exercised. Only when we
know this order, we can make use of our science to turn the natural
forces to our own ends, which in themselves are rational. It is in this
way that systematic morality is substituted to spontaneous morality.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account