In the "Ovvero della Gloria," he says reflectively: "Before an author
can reach the public with any chance of being judged without prejudice,
think of the amount of labor which he expends in learning how to write,
the difficulties which he has to overcome, and the envious voices which
he must silence. And even then, what does the public amount to? The
majority of readers yawn over a book, or admire it because some one
else has admired it before them. It is the style that makes a book
immortal; and as it requires a certain education to be a judge of
style, the number of connoisseurs is necessarily restricted. But beyond
mere form there must also be depth, and as each class of work
presupposes a special competence on the part of the critic, it is easy
to see how narrow the tribunal is which decides an author's reputation.
And even then, is it one which is thoroughly just? In the first place,
the critic, even when competent, judges--and in that he is but
human--according to the impression of the moment, and according to the
tastes which age or circumstances have created. If he is young, he
likes brilliance; old, he is unimpressionable. Great reputations are
made in great cities, and it is there that heart and mind are more or
less fatigued. A first impression, warped in this way, may often become
final; for if it be true that valuable works should be re-read, and are
only appreciated with time, it is also true that at the present time
very few books are read at all. Supposing, however, the most favorable
case: supposing that a writer, through the suffrage of a few of his
contemporaries, is certain of descending to posterity as a great
man,--what is a great man? Simply a name, which in a short time will
represent nothing. The opinion of the beautiful changes with the days,
and literary reputations are at the mercy of their variations; as to
scientific works, they are invariably surpassed or forgotten. Nowadays,
any second-rate mathematician knows more than Galileo or Newton."
Genius, then, is a sinister gift, and its attendant glory but a vain
and empty shadow.
Public-domain text, read in full here on John Shaqi.
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