... A gentleman has written to me from Zurich to say that in
the club to which he belongs my works are read with such
admiration that the members are crazy to get a picture of me
of any kind, nature, or description, and that the artist who
takes it has but to forward it C. O. D.... You see that my
fame is spreading like a conflagration, and not in
arithmetical ratio either, but in geometric, and even
cubic....
_March 28, 1856._
... R., too, kissed my hand,--a ceremony to which I cannot
accustom myself; yet it is one, I suppose, that forms part
of my imperial dignity....
_June 6, 1856._
... Becher sent his son and nephew here, and Baehr sent his
son also, and that only that these young people may in their
old age be able to boast that they had seen and spoken to
me....
_June 11, 1856._
... Professor Baehr, of Dresden, was here yesterday, and,
penetrated with the most praiseworthy enthusiasm, wished to
exchange his beautiful silver snuff-box for my forlorn old
leather one. I refused, however. He told me of a certain
Herr von Wilde, who was a perfect fanatic on the subject of
my philosophy, and who, at the age of eighty-five, died with
my name on his lips.
My Buddha, re-gilded, glittering on his pedestal, gives you
his benediction.
_August 14, 1856._
... Four pages and a half of Tallendier about me.[5] You
have seen it, I suppose. French chatter, personal details,
etc., but where the devil did he hear that I am "tout etonné
du bruit que font mes écrits dans le monde?" I am so little
astonished, that Emden told Nordwall, to the latter's
intense surprise, that I had predicted to him my future
celebrity fully twenty years ago....
Now, mediocrity may, of course, be praised, but, as Balzac has put it,
it is never discussed. And Schopenhauer, in the matter of discussion,
came in for his full share. He was praised and abused by turn. Like
every prominent figure, he made a good mark to fire at. Certain critics
said that he had stolen from Fichte and Schelling everything in his
philosophy that was worth reading, others abused him personally; and
one writer, a woman with whom he had refused to converse, and who had
probably expected to pay her hotel bill with the protocol of his
conversation, wrote a quantity of scurrilous articles about him. But
_censura perit, scriptum manet._ The criticisms are forgotten, while
his work still endures and, moreover, grows each year into surer and
stronger significance.
Among his visitors at the time was M. Foucher de Carsil, and the
portrait which that gentleman subsequently drew of him is so graphic
that it is impossible to resist the temptation of making the following
extract:[6]--
Public-domain text, read in full here on John Shaqi.
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