The Philosophy of Fine Art, volume 2 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_b_) As a result this mode of vision is at the same time extended to
the conception of an _empire_ of light and darkness, and the strife
between these forces. In the empire of Ormuzd it is in the first place
the Amschaspands, as the seven principal lights of heaven, which
receive adoration as Divinity, inasmuch as they are the essential
particular existences of Light, and for this reason constitute as a
pure and spacious empeopled heaven, the existence of the Divine itself.
Every Amschaspand, to which Ormuzd belongs, has assigned to it days
of precedence, blessing, and beneficence. The Izeds and Ferners carry
the conception still further into specification, which it is probable
enough are personifications of Ormuzd himself, albeit they add to him
no further shape that we may envisage as human, so that neither the
spiritual nor the bodily mode of subjectivity, but simply the existence
as light, appearance, illumination, splendour, remains the essential
characteristic of the object envisaged.
In the same way also the particular objects of Nature, which themselves
do not exist in external form as lights and luminous bodies, such
as animals, plants, and so forth, no less than the forms which
characterize the human world, whether we view it under its spiritual
or bodily presentment, in other words the particular activities and
conditions of it, the entire life of the state, the king with the seven
great men who support him, the division of classes, cities, the various
provinces with their governors, all that is warranted by experience
as typical of the best and purest for the protection of the rest--the
entire reality, in fact, of this life is regarded as an existence of
Ormuzd. For everything that carries within itself and promulgates
what has solidity, life, and substance is an existence of Light and
Purity, and consequently an existence of Ormuzd; every particular
truth, excellence, love, justness, every individual example of life,
beneficence, protection, spiritual power and enjoyment or benignity
is, according to Zoroaster, regarded as essentially Light and Divine.
The empire of Ormuzd is the Pure and Illuminating of visible reality;
and conformably to this there is no distinction between the phenomena
of Nature or Spirit, just as Light and Goodness, the spiritual and the
sensuous quality, are inseparably blended in the conception of Ormuzd
himself. The _splendour_ of a creature is consequently for Zoroaster
the very substance of spirit, force, and life-exhalations of every
kind, in so far, that is, as they tend to actual conservation and to
the removal of everything positively evil and hurtful, for that which
is the Real and the Good, whether in beast, man, or vegetable life, is
Light, and it is according to the measure and mode of display of this
luminousness that the relative power or weakness of the splendour of
all objects is determined.
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