The Philosophy of Fine Art, volume 3 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
own intrinsic nature. Architecture, on the contrary, possesses for
the column and its shapes nothing beyond the mechanical relation of
support, and the spatial distance from the ground to the point where
the weight that is supported terminates the column. Art, however,
is bound to emphasize and disclose the particular aspects which lie
together in this determinate relation for the reason that they are
essential features of the column. Its precise length and its twofold
boundary both above and below, that is, no less than its relation as
support, must consequently not appear as coming to it incidentally and
by virtue of something else, but must also be represented as immanent
in its very being.
With respect to the form of column other than its base and capital, it
is in the first place round, circular-shaped, for it has to stand up
in free and independent self-seclusion. The most essentially simple,
securely exclusive, rationally defined[86], and most regular line is
in fact the circle. For this reason the column already proves from its
shape that it is not adapted to form an even surface when placed in
adjacent rows, as is the case with adjacent posts which are squared to
the rectangular corner, and so present walls and partitions, but it has
merely the object to offer a support under its own self-limitation.
Moreover the columnar structure is ordinarily reduced in size
gradually, as it ascends from one-third of its height, it becomes less
in circumference and thickness, because the portions beneath have
to carry that above, and it is felt necessary to emphasize and make
obvious also this mechanical relation of the several parts of the
column itself. Finally, we frequently find that columns are grooved;
the reason of this is twofold, first, essentially to diversify the
simple form, and secondly to make the columns appear more thick by
means of such a division where this is necessary.
(_γγ_) Although, then, the column is set up in independent isolation
it has none the less to make it appear evident that it is not placed
there for its own sake, but as subservient to the mass which it is
erected to support. In so far as the house requires a boundary on every
side the singular column is therefore not sufficient, but others have
to be placed adjacent to it, in other words we come upon the definite
conception of a diversity of columns placed in a _series._ And when
several columns support the same weight this common service is at the
same time that which determines the equal height which they all possess
and which unites them together, in other words the beam. This marks the
transition from the aspect of support to the opposed object supported.
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