The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik — John Shaqi
The Philosophy of Fine Art, volume 4 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_b_) Being operative in the realm of imaginative idea
itself poetry has to guard against encroaching upon
the spheres of religion, philosophy, and the ordinary
consciousness as such 53
(_c_) To a greater extent than in the other arts the poet
has transfused the external mode of envisagement, which
he creates, with the vitality of soul-life. Mohammedan
poetry. The creative energy must be absolutely free from all
restrictions imposed by the material handled]
II. The Expression of Poetry
1. The poetical Conception
(_a_) Poetical conception in its origins
[In its origin not consciously distinct from the prosaic
or scientific consciousness. In general terms the poetic
imagination is plastic. Illustration of difference between
the concrete poetical image and the abstract concept]
(_b_) Distinction between poetic mode of conception and that
of prose. Language of poetical metaphor and imagery less
accurate than the definition of prosaic fact
(_c_) Exceptional difficulties which confront the poet of
a world where the distinction between ordinary prose life
and imagination is emphasised. Artificial appearance of his
creations. Difficulty of retaining spontaneous simplicity
and freshness
2. Verbal Expression
(_a_) Poetical speech generally
[Another mode of speech necessitated by the fact that the
world of poetry and art in general should not be identical
with that of ordinary life, or that of science and religion]
65
(_b_) The means by which this is realized
[(_α_) Particular words and expressions only proper to
poetry. Entitled to borrow from language forms obsolete in
ordinary speech. The invention exercised in creating novel
modes of utterance
(_β_) The relative order of words admits of change; how the
licence in this respect may be abused and degenerate into
rhetoric and declamation
(_γ_) The periods of poetical construction composed in
accordance with the ideality of the soul-experience
embodied]
(_c_) Distinctions in the use of these means
[(_α_) Poetry in the age where poetry is the one revealer of
spiritual truth. Force of creative power and simplicity of
diction most obvious features. Creation of a poetic diction
by Dante
(_β_) Distinction from above in an age where prose diction
already elaborated. Expression of poetry becomes more
elaborate and eventually more self-conscious and rhetorical.
The poetry of Rome. The satire. Spanish poetry
(_γ_) The nature of genuine poetical expression. Spontaneity
above all essential]
3. Versification.
[Only a superficial view would banish it. It is implied in
the demand that the medium should be elaborated by Art and
that the realm entered should be other than every-day life]
(_a_) Rhythmical Versification (that is, without rhyme)
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