The Philosophy of Fine Art, volume 4 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_γγ_) These defects, thirdly, in the conceptions of science and our
ordinary conscious life _speculative thought_ effaces. It stands,
therefore, in one respect in affinity with the imagination of the poet.
The cognizance of reason[5] is not solely, or even mainly, concerned
with contingent singularity, nor does it overlook in the phenomenal
world the essence of the same. It does not rest satisfied with the
differentiations and external relations proper to the conceptions and
deductions of the understanding; it unites them in a free totality,
which in the apprehension of our finite faculty in part fails to
preserve its self-consistency, and in part is posited in a relation
that possesses no synthetic unity. Pure thought, however, can have
but one result, namely thoughts. It evaporates the mode of reality
in that of the pure notion. And although it grasps and comprehends
actual things in their essential separation and their actual
existence, it does also nevertheless translate this particularity
into the ideal element of the universal, in which alone thought is
at home with itself. Consequently there arises, in contrast to the
world of phenomena, a world that is new in this sense, that though
the truth of the Real is present, it is not displayed in _reality_
itself as the power itself which gives it form and the veritable soul
thereof. Thinking is simply a reconciliation of truth with reality in
_Thought._ The creations and reconstruction, however, of the poet is a
reconciliation under the mode of phenomenal reality itself, albeit such
a _real appearance_ is merely ideally conceived.
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