The Philosophy of Friedrich NietzscheMencken, H. L. (Henry Louis)
Philosophy
The Philosophy of Friedrich Nietzsche
Mencken, H. L. (Henry Louis)
Nietzsche, Friedrich Wilhelm, 1844-1900; Philosophy, German -- 19th century
Pampered thus, the boy shrank from the touch of the world's rough
hand. His sister tells us that he disliked the bad little boys of the
neighborhood, who robbed bird's nests, raided orchards and played at
soldiers. There appeared in him a quaint fastidiousness which went
counter to the dearest ideals of the healthy young male. His school
fellows, in derision, called him "the little pastor" and took delight
in waylaying him and venting upon him their grotesque and barbarous
humor. He liked flowers and books and music and when he went abroad
it was for solitary walks. He could recite and sing and he knew the
Bible so well that he was able to dispute about its mysteries. "As I
think of him," said an old school-mate years afterward, "I am forced
irresistibly into a thought of the 12-year-old Jesus in the Temple."
"The serious introspective child, with his dignified politeness," says
his sister, "seemed so strange to other boys that friendly advances
from either side were out of the question."
There is a picture of the boy in all the glory of his first long-tailed
coat. His trousers stop above his shoe-tops, his hair is long and his
legs seem mere airy filaments. As one gazes upon the likeness one can
almost smell the soap that scoured that high, shiny brow and those
thin, white cheeks. The race of such seraphic boys has died out in
the world. Gone are their slick, plastered locks and their translucent
ears! Gone are their ruffled cuffs and their spouting of the golden
text!
Nietzsche wrote verses before he was ten: pious, plaintive verses that
scanned well and showed rhymes and metaphors made respectable by ages
of honorable employment. His maiden effort, so far as we know, was an
elegy entitled "The Grave of My Father." Later on he became aware of
material things and sang the praises of rose and sunset. He played the
piano, too, and knew his Beethoven well, from the snares for the left
hand in "_Für Elise_" to the raging tumults of the C minor symphony.
One Sunday--it was Ascension day--he went to the village church and
heard the choir sing the Hallelujah Chorus from "The Messiah." Here was
music that benumbed the senses and soothed the soul and, boy as he was,
he felt its supreme beauty. That night he covered pages of ruled paper
with impossible pot-hooks. He, too, would write music!
Public-domain text, read in full here on John Shaqi.
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