I see him lying in his hard bed of straw at night, with the storms howling around the cabin and the fading fire sending out only a few feeble rays of light—I see the homesick lad lying with his face buried in his hands and threading the old paths that lead up to his mother’s cabin through his mind. He sees the dear old river and the wild fowls resting on the bosom of the water. He sees his dear old mother sleeping in the old familiar bed where he lay when a baby. He sees his younger brother sleeping on the bed of straw near the hearth, his black face turned up for the moon beams to write lines of tenderness and love on each well remembered cheek. Outside the humble door the shaggy watchdog watches over the family that owns nothing but their wrongs. And, with my mind on that homesick boy, I hear him sobbing, while the coarse sleeve of his soiled shirt absorbs the bitter tears that are known only to the great God who has commanded every one to love his neighbor as himself. In his ears the hum of the bees is still heard, and the music of his father’s banjo comes back on the wings of memory, like the odor of funeral-smelling flowers coming back from the grave of his buried hopes. The darkie boy at his saddest best. The homesick boy of Foster’s song is not the bad nigger, full of nigger gin and hatred and evil intentions. The slave boy in whom you see only centuries of wrongs and oppressions is the picture in Foster’s immortal song. Oh, the world would be better if every one had experienced a season of homesick longings, and cried themselves to sleep with the image of absent loved ones painted on their mind with the brush of tenderness. Better if all had wrongs to remember, and oppressions to leave scars on their souls that would make them feel kinship towards all the unfortunate who must suffer and bear their burdens alone. It is a well known sociological fact that those who suffer hardships and privations have more tender feelings for the poor and unfortunate, than those who were born with a silver spoon in their mouth, and never intermingled with the people of the lower world. Of course, there are exceptions, but they are few. When you find a wealthy person who feels charitable and kind towards all the world, that person has suffered heart-aches, too. He wants the sympathy of those who have suffered like he has. There is a fraternal feeling in his heart for the unfortunate, planted there by his own heart-aches and watered with his own tears. A man who has never known a heart-ache, never gives a single thought to the homesick boy who longed for his Suanee river home. FRIENDS WHO PASS IN THE DARK