Apparitions; Dreams; Occultism -- Early works to 1900; Parapsychology -- Early works to 1900
There was a merry party collected in a town in France, and amongst all
the gay lords and ladies there assembled, there was none who caused so
great a sensation as a beautiful young lady, who danced, played, and
sang in the most exquisite style. There were only two unaccountable
circumstances belonging to her: one was, that she never went to church
or attended family prayers; the other, that she always wore a slender,
black velvet band or girdle round her waist. She was often asked about
these peculiarities, but she always evaded the interrogatories; and
still, by her amiable manners and beauty won all hearts. One evening, in
a dance, her partner saw an opportunity of pulling the loop of her
little black girdle behind: it fell to the ground, and immediately the
lady became pale as a sheet; then, gradually shrunk and shrunk, till at
length nothing was to be seen in her place but a small heap of grey
ashes.
And what think you now, Evelyn?
EV. I think your candle burned very blue, Astrophel, when you were
poring over these midnight legends; yet, I believe, I may, by and by,
explain the story of your Lady of the Ashes;—all, excepting the mystery
of the sable girdle. But, methinks, you should not have stopped short of
the qualities by which we may recognise the _genus_ of these phantoms.
There was once, as I have heard, a ghost near Cirencester, which
vanished in a very nice perfume, and a melodious twang; and Master
Lilly, therefore, concluded it to be a fairy: and Propertius, I know,
writes of another; and he decided, that the scent diffused on her
disappearance, proclaimed her to be a goddess! Glanville has set himself
to argue upon, nay, demonstrate, all questions regarding materiality and
immateriality, and the nature of spirits; puzzling us with mathematical
diagrams, and occupying fifteen chapters on the nature of the witch of
Endor: and Andrew Moreton, too, in his “Secrets,” comments, with
pedantic profanation, on the “infernal _paw-wawing_ of this condemned
creature.” Coleridge, and even Sir Walter, who had a mighty love of
legends, propose a question, whether she was a ventriloquist or an
aristocratic fortune-teller, or an astrologer or a gipsy, imposing on
the credulity of Saul. And yet that same Sir Walter very shrewdly
suggested to Sir William Gell the _manufacture_ of a ghost, with a thin
sheet of tin, painted white, so that by half a turn the spectre would
instantly vanish.
Public-domain text, read in full here on John Shaqi.
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