_I_ will myself even quote a mystery, (I believe recorded in Sandys’s Ovid,) for the sake of the moral which it bears. It is the legend of “The Room of the Ladyes Figure:” whether it be a tale of Bavaria, or a mere paraphrase from the Saxon Sabinus, I know not. This is the story of Otto, a Bavarian gentleman, of passionate nature, mourning for his wife. On one of his visits to her tomb, a mournful voice, which murmured, “A blessed evening, sir!” came o’er his ear; and while his eyes fell on the form of a young chorister, he placed a letter in his hands, and vanished. His wonder was extreme, while he read this mysterious despatch, which was addressed “To my dear husband, who sorrows for his wife,” and signed, “This, with a warm hand, from the living Bertha,” and appointing an interview in the public walk. Thither, on a beautiful evening, sped the Bavarian, and there, among the crowd, sat a lady covered by a veil. With a trembling voice he whispered “Bertha,” when she arose, and, with her warm and living arm on his, returned to his once desolate home. There were odd thoughts, surmises, and wonderings, passing among the friends of Otto, and suspicions of a mock funeral and a solemn cheat; but all subsided as time stole over, and their wedded life was without a cloud: until a paroxysm of his rage one fatal day was vented on the lady, who cried, “This to me! what if the world knew all!”—with this broken sentence she vanished from the room. In her chamber, whither the search led, erect, as it were gazing on the fire, her form stood; but when they looked on it in front, there was a headless hood, and the clothes were standing as if enveloping a form, but no _body_ was there! Need I say, that a thrill of horror crept through all at the mystery, and a fear at the approach of Otto, who, though deeply penitent, was deserted by all but a graceless reprobate, his companion, and his almoner to many a stranger, who knew not the unhallowed source of bounty?