In the records of his life, by Taylor, we read of a trick of the great actor, who, like Brinsley Sheridan, had an inkling for practical jokes. It was on a professional visit of Dr. Moncey. “Garrick was announced for King Lear on that night, and when Moncey saw him in bed he expressed his surprise, and asked him if the play was to be changed. Garrick was dressed, but had his night-cap on, and the quilt was drawn over him to give him the appearance of being too ill to rise. Dr. M. expressed his surprise, as it was time for Garrick to be at the theatre to dress for King Lear. Garrick, in a languid and whining tone, told him that he was too much indisposed to perform himself, but that there was an actor named Marr, so like him in figure, face, and voice, and so admirable a mimic, that he had ventured to trust the part to him, and was sure the audience would not perceive the difference. Pretending that he began to feel worse, he requested Moncey to leave the room in order that he might get a little sleep, but desired him to attend the theatre, and let him know the result. As soon as the Doctor quitted the room, Garrick jumped out of bed and hastened to the theatre. Moncey attended the performance. Having left Garrick in bed, he was bewildered by the scene before him, sometimes doubting and sometimes being astonished at the resemblance between Garrick and Marr. At length, finding that the audience were convinced of Garrick’s identity, Moncey began to suspect a trick had been practised upon him, and instantly hurried to Garrick’s house at the end of the play; but Garrick was too quick for him, and was found by Moncey in the same state of illness.” These are truths which are indeed stranger than fiction. Were a miracle once authenticated, our scepticism might cease, but we cannot be convinced of supernatural agency till something be done or known which could not be so by common means, or which through the medium of deception or contrivance _imposes_ on the mind such belief; of which impression Alston the painter once told Coleridge a melancholy story. ’Twas of a youth at Cambridge, who dressed himself up in white as a ghost to frighten his companion, having first drawn the bullets from pistols which he kept at the head of his bed. As the apparition glided by his bed, the youth laughed and cried out, “Vanish! I fear you not.” The ghost did not obey him, and at length he reached a pistol and fired at it, when, seeing the ghost immoveable and invulnerable as he supposed, a belief in a spirit instantly came over his mind, and convulsion succeeding, his extreme terror was soon followed by his death.