As it must have weight, so must it be sustained by a skeleton; and when we examine the bones, which give the body height and shape, we find each column (for in that sense a bone may be first taken) adjusted with the finest attention to the perpendicular weight that it has to bear, as well as to the lateral thrusts to which it is subject in the motions of the body."... Again p. 405, seq. .... "Mr. Hunter illustrated the subject thus:--Death is apparent or real. A man dragged out of the water, and to appearance dead, is, notwithstanding, alive, according to the definition we have given. The living endowments of the individual parts are not exhausted. The sensibility may be yet roused; the nerves which convey the impression may yet so far retain their property, that other motor nerves may be influenced through them; the muscles may be once more concatenated, and drawn into a simultaneous action. That vibratory motion which we have just said may be witnessed in a muscle recently cut out of the body, may be so excited in a class of muscles--for example, in the muscles of inspiration--that the apparently dead draws an inspiration. Here is the first of a series of vital motions which excites the others, and the heart beats, and the blood circulates, and the sensibilities are restored; and the mind, which was in the condition of one asleep, is roused into activity and volition, and all the common phenomena of life are resuscitated. Such is the series of phenomena which is presented in apparent death from suffocation; but, if the death has been from an injury of some vital part, the sensibilities and properties of action in the rest of the body, though resident for a time, have lost their relations, and there is a link wanting in that chain of vital actions which restores animation. Here, then, there can be no resuscitation; and the death of the individual parts of the body rapidly succeeds the apparent death of the body.