And thus it is, that this poor king must needs be brought out into
this wild uproar of nature, and stripped of his last adventitious aid,
reduced to the authority and forces that nature gave him, invaded to
the skin, and ready in his frenzy to second the poet's intent, by
yielding up the last thread of his adventitious and artistic defences.
All his artificial, social personality already dissolved, or yet in
the agony of its dissolution, all his natural social ties torn and
bleeding within him, there is yet another kind of trial for him, as
the elected and royal representative of the human conditions. For the
perpetual, the universal interest of this experiment arises from the
fact, that it is not as _the king_ merely, dissolving like 'a mockery
king of snow' that this illustrious form stands here, to undergo this
fierce analysis, but as the representative, 'the conspicuous
instance,' of that social name and figure, which all men carry about
with them, and take to be a part of themselves, that outward life, in
which men go beyond themselves, by means of their affections, and
extend their identity, incorporating into their very personality, that
floating, contingent material which the wills and humours and
opinions, the prejudices and passions of others, and the variable tide
of this world's fortunes make--that social Name and Figure in which
men may die many times, ere the physical life is required of them, in
which all men must needs live if they will live in it at all, at the
mercy of these uncontrolled social eventualities.
The tragedy is complicated, but it is only that same complication
which the tragedy it stands for, is always exhibiting. The fact that
this blow to his state is dealt to him by those to whom nature herself
had so dearly and tenderly bound him, nay, with whom she had so
hopelessly identified him, is that which overwhelms the sufferer. It
is that which he seeks to understand in vain. He wishes to reason upon
it, but his mind cannot master it; under that it is that his brain
gives way,--the first mental confusion begins there. The blow to his
state is a subordinate thing with him. It only serves to measure the
wrong that deals it. The poet takes pains to clear this complication
in the experiment. It is the wound in the affections which untunes the
jarring senses of 'this _child-changed father_.' It is that which
invades his identity.
'Are you _our_ daughter? Does anyone here know me?' That is the word
with which he breaks the silence of that dumb amazement, that
paralysis of frozen wonder which Goneril's first rude assault brings
on him. 'Why, _this is not Lear_; Ha! sure it is not so. Does any one
here know me? Who is it that can tell me _who I am_?'
But with all her cruelty, he cannot shake her off. He curses her; but
his curses do not sever the tie.
Public-domain text, read in full here on John Shaqi.
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