Driven from one field, they showed themselves in another. Driven from the open field, they fought in secret. 'I will bandy with thee in faction, I will o'errun thee with policy, I will kill thee a hundred and fifty ways,' the Jester who brought their challenge said. The Elizabethan England rejected the Elizabethan Man. She would have none of his meddling with her affairs. She sent him to the Tower, and to the block, if ever she caught him meddling with them. She buried him alive in the heart of his time. She took the seals of office, she took the sword, from his hands and put a pen in it. She would have of him a Man of Letters. And a Man of Letters he became. A Man of Runes. He invented new letters in his need, letters that would go farther than the sword, that carried more execution in them than the great seal. Banished from the state in that isle to which he was banished, he found not the base-born Caliban only, to _instruct_, and train, and subdue to his ends, but an Ariel, an imprisoned Ariel, waiting to be released, able to conduct his masques, able to put his girdles round the earth, and to 'perform and point' to his Tempest. 'Go bring the RABBLE, o'er whom I give thee _power_, here to this place,' was the New Magician's word. [Here is another version of it. 'When Sir Nicholas Bacon, the Lord Keeper, lived, every room in Gorhambury was served with a pipe of water from the pond distant about a mile off. In the lifetime of Mr. Anthony Bacon the water ceased, and his lordship coming to the inheritance could not recover the water without infinite charge. When he was Lord Chancellor, he built Verulam House _close by the pond yard, for a place of privacy_ when he was called upon to dispatch any urgent business. And being asked why he built there, his lordship answered that, seeing _he could not carry the water to_ his House, he _would carry his House_ to the water.] This is not the place for the particulars of this history or for the barest outline of them. They make a volume of themselves. But this glimpse of the circumstances under which the works were composed which it is the object of this volume to open, appeared at the last moment to be required, in the absence of the Historical Key which the proper development of them makes, to that Art of Delivery and Tradition by means of which the secrets of the Elizabethan Age have been conveyed to us. CHAPTER III. EXTRACTS FROM THE LIFE OF RALEIGH.--RALEIGH'S SCHOOL 'Our court shall be a little Academe, Still and contemplative in _living_ Art.' 'What is the _end_ of study? let me know.' _Love's Labour's Lost_.