The Photographer's Evidence; Or, Clever but Crooked — John Shaqi
The Photographer's Evidence; Or, Clever but CrookedCarter, Nicholas (House name)
General
The Photographer's Evidence; Or, Clever but Crooked
Carter, Nicholas (House name)
Detective and mystery stories; Dime novels; Popular literature
He had heard it said that Nick Carter had a great objection to working
on a case when it was known that he was at work.
“I beg your pardon,” said Folsom, hastily; “I’ve been excited this
afternoon, or I would have sent for you secretly, but there’s no brass
band about it. Mr. Kerr is the only one who knows that you are here.”
“It’s all right, Folsom; don’t worry,” responded Nick, “but I’ll bet
the cigars that more than Mr. Kerr know.”
“You’d win,” said Kerr. “Mr. Folsom spoke of sending for you in the
presence of fifty men.”
“That’s so!” exclaimed Folsom, looking very awkward.
Nick laughed.
“Let it go,” he said, good-humoredly. “I don’t need to bother with the
case if I don’t want to. I presume Mr. Kerr has the hang of it, anyway.
So, unless there is real trouble, Patsy and I can take the night train
for the East.”
“I hope you won’t, Mr. Carter,” said Kerr, earnestly. “I do think that
I can put my hand on the murderer, but I’d like very much to get your
opinion if not your assistance.”
“All right. There’ll be time enough for that while we get dinner
somewhere. Can you take us to a quiet place?”
“We were going to the hotel where the crime was committed. The Western
Union manager is going to send a boy there with a piece of evidence we
need just as soon as the boy gets back from a long errand.”
“Very well,” said Nick; “we’ll go to the hotel, but we won’t go
together, if you please. You and Folsom go back together, and if
anybody asks you about Nick Carter, give them any kind of an evasive
answer you choose, as long as you make them understand that I’m not in
town. Then engage a private room for dinner——”
“We have done that already, Mr. Carter.”
“Good! What’s the number?”
“Fourteen, second floor.”
“Patsy and I will join you there in half an hour unless there’s some
hurry.”
“No,” said Kerr, a little doubtfully, “I don’t believe there’s any
hurry, for we can’t act till we get the messenger boy’s evidence.”
“So long, then.”
Kerr and Folsom left Nick and Patsy inside the station, where they had
met.
“You don’t really hope to conceal the fact that you’re in Denver, do
you, Nick?” asked Patsy.
The great detective smiled.
“When fifty men heard that I was sent for?” he returned, quietly; “not
quite.”
“Then, why do you make such a fuss about it? Why not go along to the
hotel openly?”
“Patsy,” said Nick, as he pretended to consult a pocket time-table, “if
the guilty man was one of that fifty, don’t you think it likely that he
would shadow Folsom and Kerr, and follow them to the station to see if
I came?”
“Yes! I hadn’t thought of that.”
“And if he did so, of course, he’s seen me.”
“Sure.”
“And he wouldn’t follow the others out, but would wait to see what
became of me.”
“That’s it.”
“Well, then——”
“You needn’t say any more, Nick. I see now. I’ve spotted every man who
had been in sight since we stepped off the train.”
“About a dozen of them, eh?”
“Fully that.”
Public-domain text, read in full here on John Shaqi.
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