The intensity with which the plays take hold of the audience cannot
remain without strong social effects. It has even been reported that
sensory hallucinations and illusions have crept in; neurasthenic persons
are especially inclined to experience touch or temperature or smell or
sound impressions from what they see on the screen. The associations
become as vivid as realities, because the mind is so completely given up
to the moving pictures. The applause into which the audiences,
especially of rural communities, break out at a happy turn of the
melodramatic pictures is another symptom of the strange fascination. But
it is evident that such a penetrating influence must be fraught with
dangers. The more vividly the impressions force themselves on the mind,
the more easily must they become starting points for imitation and other
motor responses. The sight of crime and of vice may force itself on the
consciousness with disastrous results. The normal resistance breaks down
and the moral balance, which would have been kept under the habitual
stimuli of the narrow routine life, may be lost under the pressure of
the realistic suggestions. At the same time the subtle sensitiveness of
the young mind may suffer from the rude contrasts between the farces and
the passionate romances which follow with benumbing speed in the
darkened house. The possibilities of psychical infection and destruction
cannot be overlooked.
Those may have been exceptional cases only when grave crimes have been
traced directly back to the impulses from unwholesome photoplays, but no
psychologist can determine exactly how much the general spirit of
righteousness, of honesty, of sexual cleanliness and modesty, may be
weakened by the unbridled influence of plays of low moral standard. All
countries seem to have been awakened to this social danger. The time
when unsavory French comedies poisoned youth lies behind us. A strong
reaction has set in and the leading companies among the photoplay
producers fight everywhere in the first rank for suppression of the
unclean. Some companies even welcome censorship provided that it is
high-minded and liberal and does not confuse artistic freedom with moral
licentiousness. Most, to be sure, seem doubtful whether the new
movement toward Federal censorship is in harmony with American ideas on
the freedom of public expression.
Public-domain text, read in full here on John Shaqi.
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