NOTE
_Picaroon—a petty rascal; one who lives by his wits; an adventurer. The
Picaresque Tales, in Spanish literature of the beginning of the
Seventeenth Century, dealt with the fortunes of beggars, impostors,
thieves, etc., and chronicled the Romance of Roguery. Such stories were
the precursors of the modern novel. The San Francisco Night’s
Entertainment is an attempt to render similar subjects with an
essentially modern setting._
CHAPTER I
A MIRACLE AT COFFEE JOHN’S
The lad in the sweater yawned with abandon and glanced up at the clock
which hung on the whitewashed wall between a lithograph of Admiral Dewey
and a sign bearing the legend: “Doughnuts and Coffee, 5 cents.”
“I move we proceed,” he said, impatiently. “There’ll be nobody else here
to-night; all the stew-bums have lined up at the bakeries for free
bread. I say, old man, you pull the trigger and we’re off! I’ve got a
two-days’ handicap on my appetite and I won’t do a thing but make an
Asiatic ostrich of myself!”
“I’ll back my stomach against yours,” said the man with spectacles who
sat opposite him. “I’ll bet I could eat a ton of sinkers and a barrel of
this brown paint. I’m for rounding up the grub myself. I’ll be eating
the oil-cloth off this table, pretty soon!”
The proprietor of the dingy little restaurant turned to them from the
counter in front, where he had been arranging a pile of wet plates and
an exhibit of pastry in preparation for the next morning’s breakfasts.
Wiping his hands on his apron, he said with a Cockney accent which
proclaimed his birth, hinted at by his florid countenance and
mutton-chop whiskers, “I sye, gents, if yer don’t want to wyte, yer know
bloomin’ well wot yer _kin_ do, an’ that’s git art! Strike me pink if
yer ain’t gort a gall! Yer a bit comin’ on, gents, if yer don’t mind me
syin’ it. I told yer I’d give yer an A1 feed if yer’d on’y wyte for
another bloke to show up, an’ he ain’t ’ere yet, is ’e? Leastwise, if ’e
is, I don’t see ’im.”
He took off his apron, nevertheless, as if he, too, were anxiously
expectant, and he cast repeated glances at the door, where, painted on
the window in white letters, were the words, “Coffee John’s.” Then he
left the range behind the counter and came across the sanded floor to
the single oil-lamp that lighted the two men who were his last patrons
for the day.
The younger, he with the red sweater, had a round, jocund face and a
merry, rolling eye that misfortune was powerless to tame, though the lad
had evidently discovered Vagabondia.
“Who’s your interesting but mysterious friend?” he asked. “You’re not
expecting a lady, I hope!” and he glanced at his coat which, though it
had the cut of a fashionable tailor, was an atrocious harlequin of spots
and holes.
Public-domain text, read in full here on John Shaqi.
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