“Your face and your hands and your shape and the balance of your
physicality,” says she. “They want big eyes—brown is best, but blue will
do—and lots of looks and easy love-makin’ ways that you can hang a past
to, and I’m frank to say that you ain’t got ’em. You _have_ got platform
talents, and you’ll be a phenomena where you can’t get near enough to
’em to hold hands. Test seances is the future of this business. Take a
few developin’ sittin’s and you’ll see.”
For the time, disappointment and chagrin overcome me. Often and often
since, I have said that sorrow is a means of development for a party.
That’s where I learnt it. Next year I was holdin’ test seances in my own
room and makin’ spirit photographs with my pardner for ample
renumeration. Of course, I made my mistakes, but I can assert without
fear of successful contradiction that I brought true communication as
often as any of ’em.
Once I sized up a woman that wore black before I had asked the usual
questions—which is a risky thing to do, and no medium that values a
reputation will attempt it—and told her about her husband that had
passed out and give a message, and she led me on and wrote me up for
them very papers that I was advertisin’ in and almost ruined my
prospecks. You get such scoffers all the time, only later on you learn
to look out and give ’em rebukes from the spirits. It ain’t no use
tryin’ to get ahead of us, as I used to tell the people at my seances
that thought I was a collusion, because they’ve only got theirselves;
but we’ve got ourselves and the spirits besides.
It wasn’t long in the course of eventualities before I was ordained by
the Spirit Psychic Truth Society, and elected secretary of the union,
and gettin’ my percentages from test and trance meetin’s at Pythian
Hall. I was popular with the professionals, which pays, because mediums
as a class is a little nervous, and—not to speak slanderous of a
profession that contains some of the most gifted scientists—a set of
knockers.
Only I wasn’t satisfied. I was ambitious in them days, and I wanted to
make my debut in materialisin’, which takes a hall of your own and a
apparatus and a special circle for the front row, but pays heavy on the
investment. Try every way I could, with developin’ circles and private
readin’s and palms extra, I could never amass the funds for one
first-class spirit and a cabinet, which ought to be enough to start on.
Then one night—it was a grand psychic reunion and reception to our
visitin’ brothers from Portland—_She_ come to the circle.
Public-domain text, read in full here on John Shaqi.
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