“That’s none of your biz,” says Behn, gettin’ ’ot in the scuppers, “an’
that little gyme won’t do yer no good, nohow, for the gal knows all
abart this matter, ’an yer can’t trip me up there. Not much. I’ll pye
yer all the docyment’s worth, if yer’ll get it for me.”
“Yer won’t get it art o’ Becky not at no price,” I says, “an’ yer won’t
get it art o’ me, unless yer answer my questing. If yer want me to
conduck this ’ere affyre, I got to know all abart it, an’ yer gal won’t
be put to no bother, neither.”
’E looked me over a bit, an’ then ’e says, low, so that nobody couldn’t
’ear, “It’s Miss Bertha Wolfstein.” Then ’e give me ’is address, ’an
left the matter for me to do wot I could.
I thought if anybody could work Becky, it would be me, an’ I expected
the gal’s nyme might come in ’andy, though I ’ad no idea then how strong
it would pull. So I goes up to the big woman after she was dressed, and
tykes ’er up to the “Poodle Dog” for supper. She ’ad gort over the worry
by this time, an’ was feelink as chipper as a brig in a west wind.
“Did ever yer ’ear tell of a Bertha Wolfstein?” I says, off-hand.
Then wot does she do but begins to bryke darn an’ blubber. “She was the
on’y one in tarn as come to see me after I was pulled,” she says. “I
done all kinds o’ fyvors for lots of ’em, but Miss Wolfstein was the
on’y one who ’ad called me friend, as ever remembered it. She was a
lydy, was Miss Wolfstein; she treated me angel w’ite, she did, Gawd
bless ’er pretty fyce!”
Then I knowed I ’ad ’er w’ere I wanted ’er, ’an I give it to ’er tender
an’ soft, with all the sugar an’ cream she could stand. I let art Ikey
Behn’s story, hinch by hinch, an’ I pynted the feelinks o’ thet Bertha
Wolfstein with all the tack I knew how, till I gort Becky on the run an’
she boohooed again, right art loud, an’ I see I ’ad win ’er over. My
word! she _did_ look a sight for spectytors after she’d wiped a ’arf
parnd o’ pynte off’n ’er fyce with ’er napkin, sobbink awye, like ’er
’eart was as soft as a slug in a mud-puddle. She parssed over the pyper
art of ’er purse an’ she says, “Yer can give it to Ikey an’ get the
money. I don’t want to ’urt a ’air o’ thet gal’s ’ead.”
Seein’ she was so easy worked, I thought it was on’y right I should be
pyde for me trouble, for it ’ad stood me somethink for a private room
an’ drinks an’ such to get her into proper condition.
So I says, “Thet’s all right, Becky, an’ it’s jolly ’andsome o’ yer to
be willin’ to let go of the docky-ment, but I’ll be blowed if I see ’ow
yer can tyke ’is money, w’en yer feel that wye. If yer sell art the
pyper, w’ere does the bloomin’ gratitude to the gal come in, anywye?”
At this, Becky looked all wyes for a Sunday, an’ I perceeded to rub it
in. “Nar, see here, Becky, w’ich would yer rather do—get five ’undred
dollars for the license from Ikey, or let Miss Wolfstein know yer’d made
a present of it to ’er, for wot she done to yer?”
Public-domain text, read in full here on John Shaqi.
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