Admeh was gloomily disappointed. He turned his head to inspect the
audience more closely, hoping for some livelier prompting of his
destiny, when with a trill and a one—two—three accompaniment upon the
wheezy piano at the side of the stage, a little soubrette ran down to
the footlights, and with a mighty fetching seriousness, rolling her eyes
to the ceiling, proclaimed: “Ladies and gentlemen, with your kind
permission, I will now endeavor to entertain you with a few tricks of
sleight-of-hand.”
She was a wee thing with wistful brown eyes under a curly blond wig, and
seemingly a mere child. Her costume was a painful combination of blue
and violet, home-made beyond a doubt. No one could help looking a guy in
such a dress, but Maxie Morrow, as the placard on the proscenium
announced her, had a childish ingenuousness that forfended criticism.
As she went through her foolish little performance, audibly coached by
some one in the wings, Admeh’s eyes followed her with eager interest. He
wondered how much older she was than she looked, and what she would be
like off the stage. She had a piquant rather than a pretty face, in form
that feline triangle depicted by Sir Joshua Reynolds. In her movements
she was as graceful and as swiftly accurate as a kitten, and she had all
a kitten’s endearing and alluring charm.
Admeh made a sudden resolve. If he were to meet with an adventure that
night, what could possibly be more entertaining than to have for his
heroine this little puss of a magician? He made a rapid study of the
situation to discover its possibilities. It took but a few minutes for
his wishes to work out a plan of action, and he was soon at the door
urbanely addressing the ticket-taker.
“See here,” said Admeh, “I’m a reporter on the _Wave_—you know the
paper, weekly illustrated—and I want an interview with Miss Morrow. I’ll
give her a good write-up if you’ll let me go behind and talk to her.”
The Biograph Theatre did not often figure in the dramatic columns of the
city papers, and such a free advertisement was not to be refused. The
doorkeeper became on the instant effusively polite and, bustling with
importance, took the young man down a side aisle to a door and up three
stairs through a passage leading behind the wings. Admeh was shown into
a tiny dressing-room whose scrawled plaster walls were half covered with
skirts, waists, and properties of all kinds. The little magician was in
front of her make-up table, dabbing at the rouge pot. The doorkeeper
introduced the visitor, then discreetly withdrew, closing the door after
him.
Public-domain text, read in full here on John Shaqi.
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