At her discovery by this audacious representative of the press, Maxie
was all smiles and blushes. She was still but little more than a girl,
although not quite so young as she had appeared in front of the
footlights, and more naïve and embarrassed than one would have expected
of such a determined little actress. She offered Admeh her own chair,
the only one in the room, but he seated himself upon a trunk and began
the conversation.
All his tact was necessary to put her at her ease and induce her to
talk. The Hero of Pago Bridge was by no means too ready with his tongue,
usually, in the presence of women, but there was something in the
touching admiration she betrayed for him as a newspaper man that
prevented him from being bashful. He thought the brotherly attitude to
be the proper pose, under the circumstances, and he led her on, talking
of the theatre, the weather, her costume and himself, while she sat
awkwardly conscious of her violet tights, which she slapped nervously
with a little whip. His careless, friendly way at last gave her
confidence, for he asked her few questions and did not seem to expect
clever replies. Before long she had thrown off all reserve and chatted
freely to him.
The Biograph Theatre kept open, as a rule, as long as it could secure
patronage. This night stragglers kept coming in, so that the four
“artists” and the picture machine in the room below still went through
their weary routine. As the conversation proceeded, Maxie left at times,
went through her act and returned, finding Admeh always ready to put her
upon the thread of her story.
So, by bits and snatches, by repetitions and parentheses, in an incident
here and a confession there, this is about the way Admeh Drake heard,
that night, in Maxie Morrow’s dressing-room
THE STORY OF THE MINOR CELEBRITY
I can’t really remember when I wasn’t acting, and I have no idea who my
parents were, or where I was born, or when, or anything. I think,
though, I must be about nineteen years old, though I don’t look it, and
I have decided on the first of July for my birthday, because that’s just
the middle of the year and it can’t possibly be more than six months
wrong. I used to go on in child’s parts in London when I couldn’t have
been more than four.
Public-domain text, read in full here on John Shaqi.
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