THE MASTERPIECES OF
GEORGE SAND
AMANDINE LUCILLE AURORE DUPIN,
BARONESS DUDEVANT
VOLUME VII
THE PICCININO
THE LAST OF THE ALDINIS
The Masterpieces of George Sand
Amandine Lucille Aurore Dupin, Baroness
Dudevant, _NOW FOR THE FIRST
TIME COMPLETELY TRANSLATED
INTO ENGLISH THE PICCININO, AND THE LAST OF THE
ALDINIS BY G. BURNHAM IVES_
_WITH SIX PHOTOGRAVURES AFTER PAINTINGS BY
ORESTE CORTAZZO._
_VOLUME I_
_PRINTED ONLY FOR SUBSCRIBERS BY
GEORGE BARRIE & SON
PHILADELPHIA_
[Illustration: _EXAMINING THE ABBÉ'S PAPERS._
_He opened and ran through several other papers
which mentioned none but unknown names, and
which Mila burned without looking at them._]
CONTENTS
INTRODUCTION
CHAPTER
I. THE TRAVELLER
II. THE TRAVELLER'S STORY
III. MONSIGNORE
IV. MYSTERIES
V. THE CASINO
VI. THE STAIRCASE
VII. A GLANCE
VIII. THE INTRUDER
IX. MILA
X. PROBLEM
XI. THE GROTTO OF THE NAIAD
XII. MAGNANI
XIII. AGATHA
XIV. BARBAGALLO
XV. ROMANTIC LOVE
XVI. CONCLUSION OF MAGNANI'S STORY
XVII. THE CYCLAMEN
XVIII. THE MONKS
XIX. YOUTHFUL LOVES
XX. BEL PASSO AND MAL PASSO
XXI. FRA ANGELO
XXII. THE FIRST STEP ON THE MOUNTAIN
XXIII. THE DESTATORE
XXIV. IL PICCININO
XXV. THE DESTATORE'S CROSS
XXVI. AGATHA
XXVII. DIPLOMACY
XXVIII. JEALOUSY
XXIX. APPARITIONS
XXX. THE FALSE MONK
XXXI. WITCHCRAFT
XXXII. THE ESCALADE
XXXIII. THE RING
XXXIV. AT THE FOUNTAIN
XXXV. THE COAT OF ARMS
LIST OF ILLUSTRATIONS
THE PICCININO
VOLUME I
EXAMINING THE ABBÉ'S PAPERS
THE CARDINAL'S ESCORT
THE BALL AT THE PALMAROSA PALACE
AFTER THE FÊTE
THE CONFERENCE WITH THE PICCININO
MILA SURPRISED AT THE FOUNTAIN
INTRODUCTION
_The Piccinino_ is an imaginary tale, which does not attempt either to
depict any precise period of history or to describe accurately any
country. It is a study in color, dreamed rather than felt, wherein
correct strokes are few and, as it were, accidental. The scene of this
romance might have been placed anywhere else under the skies of Southern
Europe, and my sole reason for selecting Sicily was that I happened to
have a collection of fine engravings before my eyes at that moment.
Public-domain text, read in full here on John Shaqi.
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