At last the garden gate was opened. A small man, wrapped in a cloak,
approached, took Fra Angelo by the hand, whispered to him for some
moments, then turned to Michel, bade him enter, and walked before them,
after closing the gate. They walked through the long arbor which formed
a cross extending the whole length and width of the garden, and entered
the house through a sort of rustic porch formed of large pillars covered
with vine and jasmine. Their host then ushered them into a large room,
neatly and simply furnished, where everything indicated regularity and
sobriety on the part of the owner. There he invited them to sit, and,
stretching himself out on an enormous couch covered with red silk,
coolly lighted his cigar; then, without any demonstration of
friendliness toward the monk, he waited for him to speak. He showed no
impatience, no curiosity. He gave his whole attention to removing his
brown cloak lined with pink, carefully folding it, and rearranging his
silk sash, as if he desired to be perfectly comfortable while listening
to what they had to say to him.
But what was Michel's surprise when he finally recognized in the young
_villano_ of Nicolosi the stranger who had caused a momentary sensation
at the princess's ball, and with whom he had exchanged a few far from
friendly words on the stoop of the palace!
He was disturbed by the thought that that incident was unlikely to
dispose in his favor the man at whose hands he was about to ask a
service. But the Piccinino did not seem to recognize him, and Michel
concluded that it would be as well not to remind him of that unpleasant
incident.
He had plenty of leisure to examine his features and to seek therein
some indication of his character. But it was impossible for him to
detect any trace of emotion, of determination, of any human feeling, on
that impassive and expressionless face. It was not even impertinent,
although his attitude and his silence might seem to denote a purpose to
display contempt.
Public-domain text, read in full here on John Shaqi.
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