The Piccinino was a young man of about twenty-five years. His short
stature and slender figure justified the sobriquet which had been given
him, and to which he submitted with more coquetry than vexation.[5] It
is impossible to imagine a more slender and delicate, and, at the same
time, more perfect figure, than that young man's. Admirably
proportioned, and modelled like an antique bronze, he made up for his
lack of muscular strength by extreme suppleness. He was reputed to be
without a compeer in all bodily exercises, although he was dependent
solely upon his address, his coolness, his agility, and the unerring
accuracy of his glance. No one could tire him at walking, or overtake
him at running. He climbed precipices with the self-possession of a
chamois; he was as good a shot with the rifle as with the pistol or the
sling; and in all sports of that sort he was so sure of winning all the
prizes that he had ceased to take the trouble to compete. He was an
excellent horseman and a fearless swimmer; in fact, there was no method
of locomotion or of fighting in which he was not certain to display a
marked superiority to anyone who ventured to try conclusions with him.
Being fully alive to the advantages of physical strength in a
mountainous country, and with the life of an adventurer before him, he
had striven in early years to acquire what nature seemed to have denied
him in that regard. He had exercised and developed his muscles with
incredible energy and persistence, and had succeeded in making his
fragile frame the trusty slave and obedient instrument of his will.
And yet, seeing him reclining thus upon his couch, one might have taken
him for a sickly or indolent woman. Michel did not know that, after
travelling twenty leagues on foot during the day, he systematically
rested for a certain number of hours, and that he had watched and
studied himself so closely in every respect that he knew exactly how
many moments he must pass in a horizontal position in order to escape
the annoyance of a lame back and legs.
His face was of a peculiar type of beauty: it was the Siculo-Arabian[6]
type in all its purity. Extraordinary sharpness of outline, a somewhat
exaggerated oriental profile, long, languishing, velvety black eyes, a
shrewd and lazy smile, a wholly feminine grace, and an indefinable
gentleness and coldness which it was impossible to explain at the first
glance.
Public-domain text, read in full here on John Shaqi.
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