The bells of a number of mules ascending the hill, and the appearance of
a strange caravan coming directly toward him, forcibly changed the
current of Michelangelo Lavoratori's reflections. The mules were superb
creatures, richly caparisoned and decorated with plumes. On their long
purple saddle-cloths gleamed the insignia of the cardinalate, the triple
cross of gold, surmounted by the little hat and tassels. They were laden
with baggage and led by servants dressed in black, with gloomy,
suspicious faces; then came abbés and other ecclesiastics, with black
short-clothes, red stockings and large silver buckles on their shoes;
some on horseback, others in litters. A very stout individual, in a
black coat, with his hair in a bag, a diamond on his finger, and a sword
at his side, rode gravely upon a magnificent ass. From his air of
importance, somewhat more candid than the crafty expressions of the
churchmen who surrounded him, he could readily be identified as his
eminence's physician. He escorted his eminence himself, who was carried
in a chair, or rather in a great box, by two powerful men, beside whom
walked four relay bearers. The whole procession consisted of about forty
persons, and the uselessness of each one of them could be measured by
the rapt meditation and humility depicted on his face.
Michel, deeply interested in the passage of this procession which
surpassed all that Rome had to offer in that direction, that was most
classic and superannuated, rose and stood near the gateway, in order to
obtain a nearer view of the principal personage's face. He was the
better able to gratify his curiosity, as the bearers halted in front of
the enormous gilded gate, while a sort of abbé, with a repulsive
countenance, dismounted and opened the gate himself with an air of
authority and a peculiar smile.
The cardinal was a man far advanced in years, who had once been
corpulent and florid, but was now pale and emaciated, as the result of
gradual and cruel decay. The skin upon his face, once tightly stretched,
now relaxed, hung in innumerable folds, and imparted to the face a
strong resemblance to a field furrowed by the passage of a torrent.
Despite these ghastly evidences of decomposition, there was a trace of
imperious beauty upon those lifeless features, which could not or would
not make the faintest movement, but amid which two great black eyes
still glowed, the last sanctuary of a stubborn vitality.
The contrast between the stern, piercing glance and the corpse-like face
impressed Michel so strongly that he could not avoid a feeling of
respect, and he instinctively bared his head before that feeble remnant
of a powerful will. Everything that indicated a forceful, imperious
nature produced its effect upon that young man's imagination, because he
was himself ambitious of power and authority, and, except for the gleam
of those tyrannical eyes, it is doubtful if it would have occurred to
him to remove his straw hat.
Public-domain text, read in full here on John Shaqi.
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