"Embrace me, my dear boy!" replied the old decorator, pressing his son
to his heart, and blending his own tears with his. "It is a fine thing,
a noble thing that you have done, and God will reward you abundantly for
it, I promise you. I accept your sacrifice, but let us understand each
other: it is for a time only, for a time which we will make as short as
possible by working rapidly to pay our debt. The experience will be
useful to you, and your genius will grow instead of being extinguished.
Between us, thanks to the excellent princess, who will pay us well, we
shall soon have earned money enough for you to return to your real
painting, without remorse and without imposing any privation on me. That
is agreed. Now let us speak of your sister. She is a perfect prodigy of
wit, that little girl. And how she has grown and how beautiful she is!
so beautiful that it's enough to frighten a poor devil of a father like
me."
"I propose to remain a workman," said Michel, "for with a modest but
sure livelihood I can succeed in establishing my sister in life
according to her rank. Poor dear angel! Think of her sending me her
little earnings! And I, poor wretch, intended to bring them back to her
and was forced to sacrifice them! Ah! it is horrible, yes, detestable,
to try to become an artist when one has poor relations!"
"We will speak of this again, and I will find a way to revive your taste
for your destiny, my child. But, hark! I hear the gate creaking--the
cardinal is leaving the villa; let us not show ourselves; we shall soon
see them going down on our right. You say that Ninfo opened the gate
himself with a key that he had? It is very strange, and very disturbing
too, to find that the good princess is not safe in her own house, that
these people have false keys to violate her privacy unexpectedly, and
that they evidently suspect her, since they spy upon her in this way!"
"But of what can they possibly suspect her?"
Public-domain text, read in full here on John Shaqi.
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