Luckily for him, having worked with his father in his boyhood, and
having watched him work a thousand times since, the processes of
water-color work were familiar to him, as well as the geometrical
principles of decoration; but when he attempted to select his subjects,
he was oppressed by the superabundance of his ideas, and the prodigality
of his imagination put him on the rack. He passed two nights drawing his
compositions, and all day on his scaffolding, adjusting them to the
space at his command. He did not think of sleeping or eating, or even of
improving his acquaintance with his young sister, until his work was
definitely laid out. At last it was done, and he transferred his labors
to the courtyard of an old ruined chapel in the centre of the park,
where his canvas ceiling, forty feet long, was stretched on the ground.
There, assisted by several zealous apprentices, who handed him his
colors all ready for use, and walking barefooted over his mythological
sky, he prayed to the muses to impart to his trembling hand the
necessary skill and boldness; and at last, armed with a gigantic brush,
which might fitly have been called a broom, he sketched his Olympus and
worked with so much fire and hope that the canvas was ready to be put in
place two days before the ball.
He had still to superintend its removal and installation, and to retouch
such parts as were necessarily damaged in that process. And then he also
had to assist his father, who, having been delayed by him, still had
many borders of wainscots and cornices to finish.
That week passed like a dream to Michel, and the few moments of repose
in which he indulged seemed to him delicious beyond words. The villa was
wonderfully beautiful inside as well as outside. The gardens and the
park gave one an idea of the earthly paradise. Nature is so teeming in
that country, the flowers so beautiful and sweet, the vegetation so
luxuriant, the streams so clear and swift, that art has little to do in
order to create fairyland around the palaces there. Not that blocks of
lava and vast fields of ashes do not, here and there, present the image
of desolation beside the Elysian Fields. But those horrors add to the
charm of the oases which the volcanic flames have spared.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account