The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
But if Lelio was still able to fill the post of _leading man_ on the
boards of La Fenice and La Scala, without offending good taste or the
probabilities; if his still beautiful voice and his great talent
maintained him in the first rank of Italian artists; if his abundant
locks, of a beautiful pearl-gray, and his great black eye, still full of
fire, continued to attract the glances of the gentler sex, in salons as
well as upon the stage, it is none the less true that Lelio was a
prudent man, most reserved and grave on occasion. A fact that will seem
strange to us is that, with all the charms which heaven had bestowed
upon him, with the brilliant triumphs of his honorable career, he was
not and had never been a libertine. He had, it was said, inspired great
passions; but whether because he had never shared them, or because he
had buried his romantic experiences in the oblivion of a generous
conscience, no one could say what the result had been of any of those
mysterious episodes in his life. The fact was that he had never
compromised any woman. The wealthiest and most illustrious houses of
Italy and Germany welcomed him cordially; he had never introduced
scandal or discord into any one of them. Everywhere he enjoyed the
reputation of a loyal, good-hearted man, whose virtue was beyond
reproach.
To us artists, too, his friends and companions, he was the best and most
lovable of men. But that serene cheerfulness, that kindly charm which
characterized him in his intercourse with society, did not altogether
conceal from us a background of melancholy and the existence of a secret
sorrow of long standing. One evening, after supper, as we were smoking
under our fragrant arbor at Sainte-Marguerite, Abbé Panorio talked to
us of himself, and described the poetic impulses and heroic combats of
his own heart with a touching candor worthy of all respect. Lelio, led
on by his example and infected by the generally effusive spirit of the
party, pressed also in some degree by the abbé's questions and Beppa's
glances, confessed to us at last that his art was not the only noble
passion he had known.
"_Ed io anchè_!" he exclaimed, with a sigh; "I too have loved, and
fought, and triumphed!"
"Had you taken a vow of chastity, pray, as he had?" queried Beppa, with
a smile, touching the abbé's arm with the end of her black fan.
"I never took any vow," replied Lelio; "but I have always been
irresistibly guided by a natural feeling of justice and truth. I have
never understood how one could be truly happy for a single day while
compromising another person's future. I will tell you, if you please,
the story of two periods of my life in which love played the leading
rôle, and you will understand that it cost me a little something to be,
I do not say a hero, but a man."
"That is a very solemn beginning," said Beppa, "and I fear that your
story will resemble a French sonata! You require a musical introduction,
so wait a moment! Does this key suit you?"
Public-domain text, read in full here on John Shaqi.
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