The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
I had also heard the gondoliers on that stand say that the instrument
with which she accompanied herself was a harp, but their descriptions
were so confused that it was impossible for me to form a clear idea of
that instrument. Its tones enchanted me, and I was consumed with the
longing to see it rather than her. I drew a fanciful picture of it in my
mind, for I had been told that it was of pure gold and larger than I
was, and my master Masino had seen one decorated with the bust of a
beautiful woman who seemed about to fly away, for she had wings. So I
saw the harp in my dreams, sometimes in the shape of a siren, sometimes
in that of a bird; sometimes I fancied that I saw a beautiful boat
decked out with flags pass by, its silk cordage giving forth melodious
sounds. Once I dreamed that I found a harp among the reeds and the
seaweed; but, just as I put them aside to seize it, I woke with a start
and could never remember its shape distinctly.
[Illustration: _NELLO ENTERS THE ALDINI PALACE._
_While my master was at the wineshop, I climbed
on the awning of my gondola, and thence to the sill
of a window on the lower floor; then I grasped the
balcony rail, drew myself up, climbed over it and
found myself behind the curtain._]
My curiosity on this subject took such complete possession of my young
brain that one day I yielded to a temptation I had conquered many times.
While my master was at the wineshop, I climbed on the awning of my
gondola, and thence to the sill of a window on the lower floor; then I
grasped the balcony rail, drew myself up, climbed over it and found
myself behind the curtain.
I had before me the interior of a sumptuously furnished cabinet; but the
only object that struck my eye was the harp, standing silent amid the
rest of the furniture, above which it towered proudly. The ray of
sunlight which shone into the cabinet when I drew the curtain partly
aside fell upon the gilding of the instrument, and made the beautiful
carved swan that surmounted it gleam brightly. I stood motionless with
admiration, never wearying of examining its slightest details, the
graceful frame, which reminded me of the prow of a gondola, the slender
chords, which seemed to be of spun gold, the gleaming copper, and the
satin-lined wooden case, whereon were painted birds, flowers, and
butterflies, richly colored and of an exquisite workmanship.
Public-domain text, read in full here on John Shaqi.
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