The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
"That lady!" repeated the old woman, "what lady, my _blessed_ Signor
Lelio?"
"What trick are you trying to play on me, you old fool? Didn't I see a
lady dressed in black come in, and didn't she ask to speak to me?"
"No, as I believe in baptism, Signor Lelio. The lady asked for Signora
Checchina, and didn't mention your name. She put this half-sequin in my
hand and bade me keep her presence a secret _from the other people in
the house_. That's just what she said."
"Did you see the lady, Cattina?"
"I saw her dress and her veil, and a great lock of black hair that had
got loose and fell on a beautiful hand, and two great eyes that shone
behind the lace like two lamps behind a curtain."
"Where did you put her?"
"In Signora Checchina's small salon, while the signora is dressing to
receive her."
"Very well, Cattina; keep your mouth shut, since she bade you."
I was uncertain whether it was Alezia who had come to confide in
Checchina. If so, it was my duty to prevent her, at any price, from
remaining in that house, where every instant of her stay might
contribute to the ruin of her reputation; but if it were not she, what
right had I to go and question a person who, doubtless, had some very
serious motive for concealing her actions in this way? I had been unable
from my window to judge of the height of that veiled woman, because our
respective positions were such that I could see only the top of her
head. I had scrutinized the groom as he led the horses to a clump of
trees which his mistress pointed out to him. I had never seen his face
before; but that was no reason why he might not belong to the Grimani
establishment, for I certainly had not seen all the servants. I disliked
extremely to question him and try to bribe him. I determined to go to
Checchina; I knew what a length of time she required to make the
simplest toilet. She could not have joined her visitor as yet, and I
could reach her bedroom without passing through the small salon. I knew
the secret passage which connected Nasi's apartments with his
mistress's, the villa of Cafaggiolo being a genuine _petite maison_,
built according to the French style of the 18th century.
I found Checchina half-dressed, and making ready with queenly
indifference for this early morning audience.
"What does this mean?" she cried, as I entered by way of her alcove.
"Just a word, Checchina," I said in her ear. "Send away your maid."
"Make haste," she said when we were alone, "for there is someone waiting
for me."
"I know it, and that is what I came to speak to you about. Do you know
this woman who has requested an interview with you?"
Public-domain text, read in full here on John Shaqi.
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